Book Publicist Scott Lorenz offers Authors Book Marketing Tips and Techniques on his Blog “The Book Publicist”

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Should Authors Pay For PR Placement or Pay a Monthly Retainer?

Should Authors Pay For PR Placement or Pay a Monthly Retainer?

By Scott Lorenz
Westwind Book Marketing

Authors will on occasion request an alternative payment arrangement other than the typical retainer fee arrangement most PR firms including Westwind Communications require.

I could discuss all day the various payment options offered for PR services such as ‘pay for placement,’ ‘hourly fee’ or ‘retainer fee’. In a nutshell, the retainer fee allows the client to have a fixed budget amount for PR each month and it allows my firm to rely on a steady cash flow. The work goes up and down depending upon opportunities and implementation of the marketing plan. Clients will also appreciate the logic of this concept as the billing process is simplified for both parties.

For example, let’s say we get a placement or review in the Chicago Tribune – what’s that worth? What about a photo? You would think that should demand more money right? How much more? What about a one-line quote in the Wall Street Journal? What’s that worth? What happens if a newspaper in Singapore or Australia runs that quote right out of the journal? What’s that worth?  What happens if a meeting planner sees it and calls the client for a speaking gig? Does the PR firm get a piece of that speaking fee? Why not?

What’s the value of a TV interview in the hometown of a self-published author on WBZ in Boston that includes her book cover, photo and link to her web site and the book trailer on YouTube? What happens if that leads to a movie deal? Would my firm be entitled to a piece of that? Or does the fee for pay-for-placement relate to the ad rate for the airtime and space for the web site?  For example, an ad a little larger than a business card is $10,000 in the NY Times Sunday Book Review!

Do you want to share profits with the publicist?

I’ve promoted new medical techniques which resulted in hundreds of procedures at $5,000 apiece. In that case the worth or value of the TV story is dramatically higher. I wish I would have had a piece of that!

Several of my legal related PR placements resulted in multimillion-dollar settlements for my lawyer clients and plaintiffs when the opposing party saw the story on the local TV news. Once they knew we were prepared to continue to do battle in ‘the court of public opinion’ they settled.  Should I have gotten a piece of the lawsuit settlement? Why not? Do you see the dilemma?

What happens if we hit our stride and all the big shows want the author? Can you afford the $3-6,000 fee per show? I personally have met authors who’ve turned down major national morning shows because they could not afford the ‘pay for placement’ fee. That would never happen on a fixed fee retainer basis because you’d get all the shows for one flat fee.

Do you like reviewing complicated bills? How about fighting over ‘value’ of a PR hit?

The way I see it, ‘pay-for-placement’ is a bad deal for authors. Furthermore, there is no way authors would want to review that detail every month and frankly it would cost us hundreds or thousands of dollars per month to prepare a bill with such a breakdown. The very thought of doing it that way is rather terrifying!

There are other reasons we believe it’s in our mutual interest to use retainer fees over other billing methods. Usually, people who want such a deal have had a bad experience with a PR firm that did nothing, or they don’t have enough money in the first place and they’re trying to generate sales from the PR to pay for the PR. Finding out the reason for asking for a non-retainer deal is essential to formulating an equitable arrangement.

The real issue is the futile attempt to place a ‘value’ on PR placement on a monthly basis. Nobody knows the value with certainty because the benefit may come down the road in the form of new business, speaking gigs, consulting deals, TV shows, book deals or even more publicity. Trying to measure its value every month is like trying to place a future value on a baby in a bassinet… it cannot be done.

Another issue is about trust. Can the PR firm deliver the PR that is proposed? Can they be trusted to deliver media placements? I believe that past results are a predictor of future results, especially when it comes to PR. There need be no leap of faith if a PR firm has a track record of success with placements.

Will your book publicity result in book sales, a speaking gig or will it change somebody’s life?

Furthermore, with some PR projects there is just no way to assess how the media and public is going to respond. We could go through a lot of expense to create a PR strategy, press materials and pitch it to an audience that is just not interested. I once had a reporter at Bloomberg News say, “Scott your guy’s book on INDIA looks great, but it’s the 7th book on India I’ve had this month so sorry we can’t run another one!”  Or there’s a problem with the credentials of the author, founder, CEO etc. that were not disclosed to the PR firm in advance. These revelations could tank a PR effort and cost the PR firm money instead of making money.

Sometimes even with PR, people may not buy the book. In fact, there have been authors on CNBC and Good Morning America who have not sold any books!

Are you available willing and able to do almost any interview almost any time?

Finally, another reason the pay for placement deal won’t work is if the author doesn’t hold up his or her end of the bargain, such as being available for interviews, preparing for interviews, book signings, traveling, etc. Little things like these will result in little or no book sales and the publicist gets stuck with little or no compensation. Sorry, that’s a deal killer.

The Bottom Line: We’ll stick to a retainer fee basis, and my clients get to keep profits from their sales, movie deals and speaking gigs. Fair enough?

Should #Authors Pay For #PR Placement or Pay a Monthly Retainer? #books #booksmarketing #writers #pressrelease Click to tweet this article to your friends and followers! 𝕏

About Book Publicist Scott Lorenz

Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.

Learn more about Westwind Communications’ book marketing approach at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.

Would you like help promoting your book?

If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?

Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!


Authors: How to Use Kickstarter to FUND Your Book Marketing

Authors: How to Use Kickstarter to FUND Your Book Marketing

By Scott Lorenz
Westwind Communications

Hundreds and even thousands of years ago, it was essential for creative folks to recruit sponsors to help fund their masterpieces so they could succeed.

Things haven’t changed as sponsorships are still important for creative people, including writers. Writers continue to recruit sponsors and patrons to promote their books and help them earn a spot on the best-seller list without clearing all of their savings.

Kickstarter is an invaluable resource for authors who would like to raise some money for their books. It is a website that gives authors, musicians, app developers, inventors and others the opportunity to recruit people to support their creative project.

Kickstarter is a for-profit company that was created to support creative projects (for a 5% fee against the funds collected) because they believe creative projects make for a better world. Since its inception there have been hundreds of thousands of successfully funded projects for billions of dollars! Although the majority of projects raise less than $10,000, an increasing number have reached six, seven, and even eight figures.

Here’s how Kickstarter works:

Project creators join Kickstarter and set a funding goal and deadline. If people like their project, they donate money to support it.  An author can use the money for publishing or distribution costs, to upgrade to a better distributor, or to pay for the costs of the book publicist hired to give your book the push it needs.

Kickstarter has an all-or-nothing policy that states you must reach your goal before receiving any money. However, don’t let this scare you because even if you don’t receive a penny, you can get your book in front of more readers and obviously, that’s never a bad thing.

I’m going to be frank here: The reality is that while many authors have benefited from Kickstarter, a lot of the campaigns flat out failed, especially when the creative person tried to run their own campaign without first researching what works or asking for professional assistance.

“Book publishing isn’t a huge portion of Kickstarter’s revenue — the “Publishing” and “Journalism” categories together account for just 9% of their successfully funded projects and 4% of the total money pledged. But the industry’s “outsize cultural impact” makes it critically important to the Brooklyn-based public-benefit corporation,” explained Adam Rowe, a Forbes contributor who discussed the conference in a recent Forbes article.

As a book publicist, I have been involved on both sides of a Kickstarter campaign and have witnessed how authors have used the platform to attain the funds needed to publish and promote a book. Let’s take a closer look at some Kickstarter author success stories.

Author Jen Marr of Washington DC used Kickstarter for her book, “Paws to Comfort”, a book designed for anyone who has ever felt awkward when reaching out to someone who is struggling. It empowers readers with simple tools and inspirational stories that can help them break through the awkward zone and become better comforters.

Her campaign received the support of 221 backers who pledged $33,819. The money raised went toward creating a manuscript, book production and delivery, and launch and promotion.

Art Brooks of Providence, RI is another example of an author who used Kickstarter to their advantage. His Kickstarter campaign is designed to support the “Star Wars The Vintage Collection Archive Edition”, a comprehensive historical manuscript and detailed visual archive of The Vintage Collection, one of Hasbro’s most popular lines of Star Wars action figures.

That campaign had 1,058 backers who pledged $133,887. Brooks offered various perks to backers who pledge a certain amount. For example, anyone who pledged $100 or more received one printed copy of The Vintage Collection Archive Edition book and one limited edition 24×36-inch The Vintage Collection compendium poster.

Believe it or not, there was a Kickstarter campaign for 9-year-old author MaKayla Rose Hubbs from Mantua, NJ. She wrote the book “Why Bedtime Sucks: The Opposite of a Bedtime Story.” The book begins with her witty objection to the various reasons she’s been told it’s important for her to get a good night’s rest. Her campaign had 124 backers who pledged $9,588. Anyone who pledged $10 or more will received an e-book as well as a downloadable coloring page.

These authors didn’t just get lucky and raise money for their books with minimal effort. Many of them were strategic in how they designed their Kickstarter campaigns and came up with incentives for pledgers. In order to attract pledges as an author, you can offer the following:

  • Digital copies of your entire works if you have written three or more books.
  • Autographed, limited edition copies.
  • Free editing and critique of a donor’s draft writing
  • A free review of a donor’s published book
  • Your illustrator to draw an image of the donor to place in your book.
  • An in-person meeting with the author for a formal English tea
  • Mention of the donor’s business with a testimonial given by a character in the book
  • A gourmet meal prepared by the author of a cookbook at the donor’s home.

If one of my clients decides to pursue a Kickstarter campaign, I’ll help them design an appealing message, create a great video, and promote their campaign outside of the Kickstarter platform.

Other Crowdfunding Options

Indiegogo: A crowdfunding website founded in 2008. One compelling feature, if you don’t reach your goal, you can still keep the funds pledged.

Ulule: This is the only international crowdfunding platform where the majority of projects get funded. It strives to empower creators and entrepreneurs.

The Bottom Line: If you’re an author looking for funding then check out how Kickstarter can pay for your book publishing and promotion.

If you’re an #author looking for #funding then check out how #Kickstarter can pay for your #bookpublishing and #promotion. Click to tweet this article to your friends and followers! 𝕏

About Book Publicist Scott Lorenz

Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.

Learn more about Westwind Communications’ book marketing approach at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.

Would you like help promoting your book?

If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?

Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!


Authors: Check Out These 28 Fan Fiction Sites

Authors: Check Out These 28 Fan Fiction Sites

By Scott Lorenz
Westwind Communications

“Ever thought about writing fan fiction? Many authors started out writing on fanfic sites.”

Anna Todd started writing fan fiction on her phone, published chapters to Wattpad, then after garnering 1 million+ views she was pursued by numerous literary agents. Fast forward five years, her story AFTER is a Simon & Schuster NY Times bestseller and Ann Todd is making millions.

Amanda Hocking started out writing fan fiction and she was signed to a multimillion-dollar book deal.  Erika Leonard, aka E.L. James discovered Fan Fiction in August 2009. Taking a stab at fan fiction under the pen name Snowqueens Icedragon has certainly served James well. The fan fiction morphed into the Fifty Shades of Grey series and movies which as of December 2018 give her a whopping $150,000,000 net worth.

Convinced yet about the value of writing on Fanfiction sites? Before you dive in check out my list of top 21 fan fiction sites and see where your work could fit in and most importantly stand out.

1. Commaful: For a different flavor of fan fiction, visit Commaful. This site takes a new and exciting spin on fanfiction, offers a unique picture book format and is ideal for shorter works.

2. Quotetv: While Quotev is a fan fiction site that offers a wide variety of fan fiction categories for readers to choose from, it’s also a platform that gives writers the opportunity to post their original poems, stories, and quizzes.

3. TONFA: TONFA is a purely Naruto centric website. It features a comprehensive archive of Naruto fanfiction. Users can read fanfiction on this site or submit their own.

4. MediaMiner: MediaMiner brings together those who are interested in reading and writing fan fiction. The three major sections of this site include fan fiction, fan art, and anime.

5. One Direction Fan Fiction: If you are a huge fan of One Direction, you’ll be pleased to find out there’s a website dedicated to One Direction fan fiction. This site offers categories such as action, romance, drama, mystery, and many others.

6. Percy Jackson FanFiction: Percy Jackson Fan Fiction was made for fans of the legendary Percy Jackson. It offers a variety of Percy Jackson story remixes to read and can allow you to write your own remix. All Percy Jackson stories on these sites are subject to votes and comments from fans.

7. Good Reads: With over 18 million users, members of the site can share their work, about 400 of which are fan fiction. The most popular books are inspired by Twilight, Harry Potter, and Naruto.

8. FanFiction: FanFiction is considered to be world’s largest fanfiction archive on the web. The site launched in October 1998 and currently has well over 2 million users. The most popular sections on Fanfiction are Harry Potter (675,000 titles), Twilight (215,000 titles), and Lord of the Rings (51,000 titles).

9. Webnovel: Webnovel has established an interactive online reading experience as its core while being an online literature platform that combines copyright licensing and cooperation.

10. Wattpad: Based in Toronto, Wattpad’s monthly audience is over 10 million readers. Every minute, the site connects more than 10,000 readers with a new story. Wattpad is more about fanfic driven by celebrities and comics. There are over 100,000 stories about One Direction. You can also find fanfic about Selena Gomez, Taylor Swift, or Zac Efron.

11. Internet Archive: Internet Archive is a non-profit digital library. The Internet Archive allows users to download digital material, but also to upload their own.

12. Archive of Our Own: Archive of Our Own is a project founded and operated by the Organization for Transformative Works. It’s a non-profit, non-commercial archive for fan fiction of all formats, including writings, graphic art, videos, and podcasts. Currently, there are over 170,000 users.

13. Asianfanfics: Asianfanfics is mostly about Asian characters and topics that often revolve around Asian culture. One-shot fanfiction, which is characterized as stories no longer than one chapter, is very popular on Asianfanfics, with over 35,000 stories listed in the category.

14. Tumblr: You can stay logged into your favorite network and search for new, fresh fan fiction; it’s just a matter of using the right tag to search the posts, and finally picking up Tumblr posts you want to follow. Try searching #fanfic, #fanfiction, or any book title you’re a fan of and read what Tumblr has to offer.

15. FicWad: FicWad is an archive of both fan fiction and original work, launched in 2005 and managed by K&D Lynch. The site is currently in beta stage, but you are able to read the stories even if you are not a registered user.

16. Twilighted: Twilighted calls itself all-inclusive, high-quality Twilight fan fiction. Founded in 2008, the site already has a large following. The most popular, and arguably most interesting category is AU-Human: stories in which all the vampires are humans.

17. Feed Books: Feed Books features works uploaded by the site’s users into its Original Books section. You can easily upload any of the 800 fanfiction pieces to a book application or an e-reader, as they are available in mobi (Kindle), epub and pdf formats.

18. Deviant Art: There are 176,092 deviations for fan fiction, grouped in 6 categories: drama, general fiction, horror, humor, romance, and sci-fi. The most popular one, however is Not in Harry Potter, with quotes and words that should be included in Harry Potter books – but aren’t.

19. Fiction Press: This is the fan fiction site for all things sci-fi and fantasy. One unique attribute of Fiction Press is that there are many dedicated communities of authors on the site who help edit and encourage the work of one another.

20. Mibba: Mibba is a community that welcomes fan fiction and utilizes forums for help with writing and connecting with people who have similar viewpoints.

21. Inkitt: Inkitt is the world’s first reader-powered publisher, providing a platform to discover hidden talents and turn them into globally successful authors. Write captivating stories, read enchanting novels, and we’ll publish the books our readers love most on our sister app, GALATEA and other formats.

22. Booknet: Booknet is a global self-publishing literary platform that makes reading and publishing of e-books. It has 3 language versions – English, Spanish, and Ukrainian.

23. Fanfiction Online: You can read and write fan fiction stores and also make collections of your favorite fan fiction books.

24. ReadFanFic: Read fanfiction stories online. This website also stores your reading history. Join their team on Discord.

25. Writer’s Cafe: It is a very active community where writers can post their work to get instant feedback from other fellow members of the platform. Not only that, but you can also join different groups to learn more about different writing techniques.

26. Live Journal: LiveJournal is a Russian-owned community-based journaling platform where users can keep a blog, journal, or diary. LiveJournal encourages communal interaction and personal expression by offering a user-friendly interface and a deeply customizable journal. With more than 50 million journals on topics like politics, entertainment, fashion, literature, design, fanfiction, and more.

27. InsaneJournal: InsaneJournal, built on open-source software, is a simple yet very customizable online diary that allows you to keep in touch with all of your friends. At InsaneJournal, you have freedom of speech/expression. There’s no censorship unless the content obviously violates United States law. Most importantly, the site is fanfic friendly.

28. Dreamwidth: Dreamwidth Studios is a home and a community for all kinds of creative folk. Share your writing, your artwork, or your innermost thoughts. Find others who create the sort of things you like to enjoy.

The Bottom Line: I encourage you to post on fan fiction sites and take your writing to the next level. Reach out to new readers, get feedback from others and fine-tune your craft. You never know, it might be the start of something big!

I encourage you to post on #fanfiction #sites and take your #writing to the next level. Reach out to new #readers, get #feedback from others and fine-tune your craft. Click to tweet this article to your friends and followers! 𝕏

About Book Publicist Scott Lorenz

Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.

Learn more about Westwind Communications’ book marketing approach at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.

Would you like help promoting your book?

If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?

Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!


Authors: Listen Up! Your Book Needs an Audiobook!

Authors: Listen Up! Your Book Needs an Audiobook!

Audiobooks are quickly becoming a popular method of “reading,” with estimated revenue reported at $2.5 billion for 2023 according to Publisher’s Weekly. Busy readers are opting to listen to their favorite books while jogging, driving, and even washing the dishes—usually on their smartphones. Most listeners are under the age of 45, but the numbers are increasing. Now with Spotify entering the market this will no doubt lead to more listeners and more accessibility to millions. As an author with a published book, you need to get in the game.

A lot goes into making an audiobook: you need a narrator, a sound technician, a good place to record, and distribution for the finished product. While hiring your own technician and recording studio can cost a lot, there are other ways— even free ones— to produce your own audiobooks.

Here are your options:

Complete marketplace production: This is probably the easiest and most cost-effective way to produce an audiobook. These marketplaces connect authors with narrators, engineers, recording studios, and others capable of producing a finished audiobook. Currently, the most popular is ACX, but more are popping up.

ACX has a “Royalty Share” option, in which the narrator does the reading with no fees in exchange for a cut of the royalties. It’s no upfront cost to the author and distribution is through top retailers Audible, Amazon and iTunes. The downside is ACX /Audible claims distribution rights to your book for seven years.

Voice actor Thomas Miller, who narrates books for author Frederick Dodson, has a love/hate relationship with ACX/Audible. “You almost need to use them because they control so much of the market,” he says. “But, as both an author and narrator, if you have other pipelines of distribution, you should think long and hard before you lock your book up for Seven. Long. Years.”

Other options are quickly popping up. New York Times best-selling author Colleen Gleason used ACX for the six books in her Heroes of New Vegas series. She was happy with her narrator and found the ACX interface easy to use. But when it came time to make audiobooks for her new Stoker and Holmes series, both she and her narrator switched to Findaway Voices.

Findaway Voices offers the same services as ACX, but upfront costs average $1000-$2000 for a 50K word book, or about $250 per reading hour for the narrator. The royalties are all yours and you aren’t locked into a contract of years, except with their distribution through Audible.
“I had such a good experience with Findaway, and they have such a broad distribution system that I ended up moving all of my six Heroes of New Vegas books to that platform as well,” says Gleason. “Audiobook usage is on the rise and users are increasing in double digits each year; I decided I wanted my books to be available to as many readers/listeners as possible. So for now, I’ll continue to use Findaway Voices for any future audiobooks I do.”

Find your own narrator: Some authors prefer to have celebrities read their books, which can add to the appeal to purchasers. But just because they’re famous, doesn’t mean they are qualified. You need to find out if they have narrated a book before. For every hour of reading, there are several hours of editing work that has to be done, so you want a smooth and qualified reader. “It was learning how to read well that took some time,” says Miller. “That’s where your 10,000 hours comes in. The one thing nobody estimates properly is editing time.”

There are other places where narrators are selling their talent. A thorough Google Search will reveal some sources.  An inexpensive, although not necessarily fool-proof place to find narrators is fiverr. Some authors have found narrators through Suchavoice.

Remember, much of an audiobook’s success is tied to the narrator. Before you hire someone, listen to examples of their work, and give them a section of your own book to try. If yours is a work of fiction, pick a part with dialogue so you can see how they voice different characters. If it is nonfiction, be sure they lend the right authority to what you are trying to sell. Also, do you want a male or female narrator? Someone with a solemn voice or a perky one? These are all things to take into consideration.

Narrate your own book: William H. Coles, a prolific author, professor, and musician, has an extensive line of his own books that he narrated himself. “I believe, when possible, the best reading is by the author,” says Coles. “However, I think recording experience is necessary.” Coles has radio experience recording live air segments. He also hired the best sound technician he could find, which he attributes to his success. Coles’ most recent recording is a podcast, “Story in Fiction,” which has already surpassed 1000 downloads.

But self-recording isn’t for the faint of heart or the low-budget author. “There is a lot of time and energy spent, and I wouldn’t suggest any author lightly go through the process,” says Coles. “It’s much easier to hire a company that works with authors and/or hires an actor.”
Also, if an author is going to work alone, he or she will need an expert in distribution to get the audio books out to their market. Most of the marketplaces such as ACX and Findaway Voices have wide distribution. Kobo, Google Play and others have gotten into the audiobook market, and libraries find a large percentage of their borrowers request audiobooks now. Recently, Scribd has partnered with Waze so you can listen to your book in your car while your GPS leads you to your destination. Life has never been better for the voracious reader-on-the-fly.
Overall, making your books into audiobooks seems to be worth the effort and cost.

“The growing use of mobile devices for reading fiction makes it all worthwhile,” says Coles. Most authors would agree. The reach is even to the youngest kids. Alexa, Google Assistant and Siri will now read your books—or your children’s bedtime stories—aloud.

Amazon best-selling author Dan Milstein created an audiobook of his most recent business book Rule #1: Don’t Be #2. “With more readers turning to audiobooks, it’s a wise business investment and a great way to reach more readers who don’t have the time to sit down with a book in their hands,” says Milstein. “It makes sense to do it.”

Audiobooks stand on their own now as a medium. Forbes magazine calls audiobooks “THE publishing industry  trend.”

The Bottom Line: Authors – It’s never been easier and more affordable to get an audiobook for your book. I encourage you to explore these options ASAP. Do it now!

#Authors – It’s never been easier and more affordable to get an #audiobook for your #book. I encourage you to explore these options ASAP. Do it now! Click to tweet this article to your friends and followers! 𝕏

About Book Publicist Scott Lorenz

Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.

Learn more about Westwind Communications’ book marketing approach at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.

Would you like help promoting your book?

If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?

Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!


Authors: Is There an Animated Book Cover In Your Future?

Animated Book Cover GIF

By Scott Lorenz
Westwind Book Marketing

Designing an eye-catching book cover is a strategic part of the book marketing process. If someone lingers over your cover for a millisecond longer, there’s a greater likelihood they’ll be inspired to crack open the book. What then, can be done to set one book cover apart from another with the hundreds of thousands of books being published every year?

Lately the trend of animating book covers has caught on as a sleek new way to add pizazz and let books stand out. An animated image is a great way for a book to be shared, posted, and reposted, on Twitter, Facebook, Pinterest. Tumblr and other social media sites thereby reaching a wider audience. Google’s expanded feature for Advanced Image Search is a good sign for authors and animators who want their work shared.

William Herr, author of From a Broken Land, described his decision to jump on the animation trend as a “shut up and take my money moment.”

Who is using Animated Book Covers?

Graphic design artist Joshua Jadon has offered GIF book covers to his clients for over three years. Joshua has designed book covers for authors of all genres including New York Times Best Selling authors. Joshua says that one in five of his clients will request an animated book cover.

So far, several renowned authors including Stephen King and J.A. Konrath have adopted the animated design. Stephen King published Doctor Sleep, the sequel to The Shining, with a beautiful animation.

Get an Animated Book Cover

Get an Animated Book Cover

How Can Authors Get an Animated Book Cover?

William R. Herr described his decision to animate the cover of his recent novel, From a Broken Land, as, “Not something you can do yourself, at least not if it is done right, and the artists understand this. Pay well for good work, and don’t accept the sub-par.”

Unfortunately, his publisher at the time wasn’t onboard. Herr states, “Their position was that the retailers would never agree to include the covers, so why even pursue it?” After leaving his publisher for unrelated reasons Herr turned to his friend Aaron Acevedo of Pinnacle Entertainment Group, a “bootstrap tabletop gaming company.”  Acevedo in turn brought in colleague Martin de Diego Sadabo to do the artwork, the combination was simply perfect.

On the other side of the spectrum is book design artist, Joshua Jadon, who has been dazzling readers for over three years with animated book covers. “My dad has always been into animation and suggested that I look into doing animated book cover designs. The idea that an eBook cover can be brought to life with a bit of custom animation in a GIF format is really amazing.”

Why Should an Author get Animated?

According to Jadon, “Eye-catching book cover design is a real key to catching the attention of MORE readers and the best possible way to increase that rate of someone seeing your book is to have a cover that really stands out. GIF animations just crank things up a notch with real-time movement and effects.”

What is the Cost of an Animated Book Cover?

Less is more according to Herr. “Too much movement, and the eye gets tired. Too little, and it does not ‘pop’. Overall cost for the animation was $100.00.” All animators have their own fees, and the DIY option is always there if one is inclined to take up the task.

“Honestly creating a GIF animation can take some time depending on the difficulty of the animation and what exactly the client wants created”, states Jardon who quoted his rate for an animated GIF cover at $200 although he offers discounts if authors want a regular book cover as well.

There is also the option of creating your own. All that is required is Photoshop and the help of a Graphics Interchange Format (GIF) creating site. There are several tutorials online such as this one that can give any book a creative edge to grab attention.

The Future of Animated Covers?

 While many authors and designers are catching on to this unique marketing tool, animating still appears to be in its early stages. At the moment, Amazon Kindle and most major online retailers do not support them. Nor has Amazon released any plans to feature the new designs.

However, the trend has gained some serious momentum and may become more commonplace as the book industry continues its competitive streak. As Herr put it, “Someone has to be first, and I’ll be darned if it’s going to be Steven King over me.”

While some mediums where this article is published allow animation, others do not. So, to see the full effects of animated covers go to https://joshuajadon.tumblr.com/, and https://ebookfriendly.com/best-animated-book-covers/. Designer Charlotte Strick tells us how an animated book cover is made at: http://bit.ly/2bJzHe1.

The Bottom Line: With the explosion in electronic everything, getting an animated book cover will be standard in the coming years. Might just as well jump on it and do it now.

With the explosion in electronic everything, getting an #animated #bookcover will be standard in the coming years. #authors #writingcommunity #bookboost #business #ian1 Click to tweet this article to your friends and followers! 𝕏

About Book Publicist Scott Lorenz

Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.

Learn more about Westwind Communications’ book marketing approach at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.

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