by Scott Lorenz | Blog, Book Marketing, Book Publishing, Book Reviews, Writing a Book
By Scott Lorenz
Westwind Book Marketing
Editorial reviews are one of the few true third‑party endorsements an author can get, trusted signals that your book is credible, worth reading, and taken seriously by people who evaluate books for a living. While organic reviews carry weight, paid editorial reviews also play an important strategic role, giving authors access to respected outlets that can elevate visibility, authority, and market reach.
When authors start exploring editorial reviews, the first question is almost always: “Which service is the best?” The truth is, there is no one-size-fits-all answer. The “perfect” review partner depends on your book’s genre, your target market, and what kind of credibility you actually need. A business book aimed at corporate buyers has different needs than a memoir, and a sci-fi novel plays in a completely different ecosystem than a leadership article. But even with all those variables, there’s still a clear hierarchy in the review world- and understanding that hierarchy helps you spend your money where it actually matters.
Here’s how to choose editorial reviews that actually work for your book and your brand.
Start With Your Book’s Strategic Goal
Before selecting reviewers, get clear on why you want editorial reviews. Ask yourself:
- Do I want media coverage?
- Do I want Amazon conversions?
- Do I want speaking or consulting credibility?
Clarity here prevents wasted time and mismatched reviews.
As Debra Englander, a consulting editor at Post Hill Press and publishing consultant, recently told me: “The right review strategy always starts with understanding your audience. Once you know who you’re trying to reach, you can choose the outlets those readers and gatekeepers actually trust.” She’s exactly right. Credibility first, amplification second. That’s the formula that works.
Prioritize Relevance Over Prestige
A glowing review from a niche yet respected authority often outperforms a vague endorsement from a well-known but unrelated source. The strongest editorial reviews come from publications that cover your specific genre or topic, experts trusted by your target audience, and organizations that align with your book’s subject matter. The key question is: Does this reviewer influence the people I want to reach?
Evaluate the Quality of the Review Itself
Not all reviews are created equal. To assess the usefulness of a review, ask yourself if it contains compelling, substantive commentary or just a one-line summary. A quality review is specific, highlights benefit for the readers, reinforces your expertise, and uses quotable language.
Editorial Review & ARC Service
At the top are Kirkus Indie Reviews and Foreword Clarion Reviews- the two outlets that consistently carry real weight with librarians, booksellers, reviewers, and media. Right behind them sit Publishers Weekly (via BookLife) and Booklist, both of which can meaningfully influence library and trade-market visibility if your book is selected. After that, you’ve got the indie and ARC-driven services- IndieReader, NetGalley, and others- which are great for building early momentum, generating reader reviews, and filling out the ecosystem.
Using Reviews Strategically
Choosing the right editorial review is only half the battle. Now it’s time to decide the best way to use it. Effective placement is where the real power lies. This includes the Amazon Editorial Reviews section, back cover and interior pages, press releases and media pitches, website landing pages, and speaker one-sheets and proposals. A well-placed editorial review continues working for your book long after publication day.
The Bottom Line
The right editorial review will build your buzz and drive your sales. Find the one that tells the world why your book matters.
About Book Publicist Scott Lorenz
Book publicist Scott Lorenz is President of Westwind Book Marketing, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
Learn more about Westwind Book Marketing at https://www.WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s award-winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net. Then for Christian authors, check out Lorenz’s new book called Book Title Bible: How to Title Your Christian Book with Faith and Inspiration. www.BookTitleBible.com.
Would you like help promoting your book?
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
by Scott Lorenz | Blog, Book Promotion, Book Publicity, Marketing a Book, Promoting a Book, Writers Conferences, Writing a Book
By Scott Lorenz
Westwind Communications
If you are a serious writer with high aspirations, then you’ll want to go to a writers’ conference. Want to meet authors and exchange ideas, tips and techniques? Then sign up for a writer’s conference today.
A writers’ conference is a think tank for authors to build on each other’s ideas and inspire new achievements in their own work. For the cost of lodging and registration, the payoff for attending a writers’ conference could be tremendous.
Attending a writers’ conference gives you a chance to pitch your book, learn about the various publishing options and meet book editors, agents and book marketing specialists. If your book is six months or a year from being finished, you can talk to people with valuable input on shaping your book. At a writers’ conference, you’ll get all sorts of advice to help you wrap up your project when you return home.
Of course, you will want to prepare for any writers’ conference you attend by having a plan of what you want to find out and what you will do while there. I suggest you develop an ‘elevator pitch’ about your book that you can deliver in 30 seconds. Have a one-pager available with your book cover, author headshot, short 50-word synopsis, short bio, website URL, Twitter handle and your contact information. You never know who you’ll meet so be prepared for that moment!
Here are some upcoming writers’ conferences in 2026:
January 16–18, 2026: Southern California Writers Conference (San Diego, CA). Founded and run by professional writers the SCWC provides veteran and emerging talent with authoritative guidance to help distinguish those manuscripts that are ready for market consideration, having facilitated well over $4 million worth of first-time authors’ book and screen deals. https://writersconference.com/sd/
February 12–15, 2026: 22nd Annual San Francisco Writers Conference (San Francisco, CA). The San Francisco Writers Conference (“SFWC”) enjoys a rich literary culture. Over the course of four days, over 500 attendees and renowned keynote authors, presenters, editors, and agents, attend SFWC, combining the best of both the traditional publishing industry with the latest technology to empower authors to publish anywhere. Situated just north of Silicon Valley, the SFWC is truly a one-of-a-kind celebration of craft, commerce, and community. 100+ presenters, 25+ literary agents and acquiring editors, 80+ sessions, lectures, and classes over four days, 12+ topics covering fiction, nonfiction, traditional and self-publishing, memoir, children’s/YA, poetry, marketing, business, tech, books-to-screen, and more. https://www.sfwriters.org/conference/
February 25–27, 2026: Writers at the Symposium by the Sea (San Diego, CA). Writer’s Symposium by the Sea is an annual event to inspire readers and writers alike, featuring evocative conversations with exemplary writers from various genres, backgrounds, and perspectives. During each interview, the audience is invited to actively listen in as writers share what inspires their writing and delve into the practices that propel their success. https://www.pointloma.edu/opportunities/writers-symposium-sea
March 4–7, 2026: AWP Conference 2026 (Baltimore, Maryland). The AWP Conference & Bookfair is the essential gathering for writers, teachers, students, editors, and publishers. Join thousands of attendees, explore hundreds of events and exhibitors, and immerse in four days of vital literary community and celebration in Baltimore! https://awpwriter.org/AWP/AWP/Conference-Bookfair/Overview.aspx
March 4–5–7 March 8, 2026: Sierra Writers Conference (Rocklin, CA). First held in 2016 as a collaboration between Sierra Writers and Sierra College, the Sierra Writers Conference is now the Sierra WordFest. This much anticipated annual event provides inspiration, thought-provoking discussions, and presentations on timely topics. It also offers access to professional writers and publishers, plus writing activities for Sierra College students and the greater community through lectures, panels, workshops, and networking opportunities. https://www.sierracollege.edu/library/sierra-college-press/wordfest/
March 7–15, 2026: WriterCon Eastern Caribbean Cruise (Greater Antilles & Leeward Islands).Step away from the distractions of daily life and immerse yourself in a one-of-a-kind writing adventure at sea. Our WriterCon Cruise blends world-class writing instruction with the inspiration of travel, giving you the time, tools, and community you need to finally make progress on your manuscript. This isn’t just a cruise—it’s an unforgettable experience designed to help you grow as a writer while enjoying the journey of a lifetime. https://writercon.com/writercon-cruise/
March 14, 2026: 2026 Bay to Ocean Writers Conference (Chesapeake College, Wye Mills, MD). Now celebrating its 29th year, the Bay to Ocean Writers Conference is a one-day event that has attracted more than 4,000 writers over its history. It is sponsored by the Eastern Shore Writers Association (ESWA), a non-profit organization of writers from across the Delmarva Peninsula. https://www.easternshorewriters.org/event-6448395
March 18–21, 2026: Blue Lake Christian Writers Conference (Andalusia, AL). At Blue Lake Christian Writers Retreat, you’ll experience the benefits of a large writers’ conference, but on a more personal level. Whether you’re a beginning or experienced writer, interested in fiction or nonfiction, our faculty of seasoned professionals can teach you how to improve your writing skills, market your work, and get published. https://bluelakecwr.com/
March 21–22, 2026: Gotham Writers Genre Fiction Conference (Via Zoom). The Gotham Writers Genre Fiction Writers Conference happens in March 2026, for writers of mystery, horror, and science fiction & fantasy books. Gotham Writers has two conferences per year, targeted to different corners of the publishing world. https://www.writingclasses.com/nonfiction/writers-conference/index
March 25–27, 2026: 57th Annual UND Writers Conference (Grand Forks, ND). Founded in 1970 and held every year since, the UND Writers Conference is a three-day event featuring six to eight authors annually ranging from Gwendolyn Brooks and August Wilson to Tommy Orange and Colson Whitehead. The UND Writers Conference is committed to community outreach, engagement, and finding ways to increase audience access to literature. https://und.edu/writers-conference/index.html
March 26–27, 2026: 29th ASU Writers Conference in Honor of Elmer Kelton (San Angelo, TX). The 2026 conference will commemorate the 29th Angelo State University Writers Conference in Honor of Elmer Kelton. This two-day conference is one of the few in the state that requires no registration or attendance fees for presenters and guests. This year’s conference will celebrate what would have been Elmer Kelton’s 100th birthday, as well as his artistic legacy and influence on Texas writing. https://www.angelo.edu/departments/english-modern-languages/writers_conference.php
March 27–28, 2026: South Asian Literary Association Annual Conference (Charlotte, NC). This will be their first in-person conference since 2020, and they will hold the conference in collaboration with the College English Association in Charlotte, North Carolina. The theme is “Collective Currents in South Asian Collaborations.” https://southasianliteraryassociation.org/announcements/2026-sala-annual-conference-to-be-held-in-person-in-charlotte-nc/
March 27–28, 2026: American Christian Fiction Writers (ACFW)- Colorado Springs Chapter (Colorado Springs, CO). 2026 brings a few changes to Write in the Springs from previous years. First off, they are incredibly excited to be at the lovely La Foret Conference and Retreat Center in Colorado Springs. Additionally, they are offering a Friday half-day indie publishing intensive with Two Dogs Publishing’s Lisa Phillips and Saturday classes will be grouped by genres to offer attendees teaching and training specific to their writing areas. American Christian Fiction Writers, Colorado Springs Chapter, has offered an affordable conference experience for Christian writers annually since 2009. We invite you to join us at Glen Eyrie Castle in the foothills of Colorado Springs, Colorado, for an unforgettable weekend of teaching, fellowship and inspired writing, whether you are already an established author or just starting your journey to publication. https://acfwcosprings.net/wits-2026/
March 27–28, 2026: Moravian Writers Conference (Bethlehem, PA). To celebrate the conference’s 12-year anniversary, this FREE conference (featuring in-person and live streamed events) will focus on different approaches for thinking about story and story sharing. https://www.moravian.edu/storysummit
March 27–31, 2026: Vision Christian Writers Conference (Felton, CA). The Vision Christian Writing Conference is the response to the devastating news that Mt. Hermon was ceasing their legacy 50-year writing conference at the beginning of the pandemic. https://vcwconf.com/
March 28, 2026: The 2026 Atlanta Writing Workshop (Atlanta, GA). The title of the Atlanta Writing Workshop is “How to Get Published.” It focuses on classes and advice intended to help you get your works published. https://atlantawritingworkshop.com/
March 28, 2026: Atlanta Self-Publishing Conference (Atlanta, GA). They offer the Atlanta Self-Publishing Conference annually for authors who are interested in self-publishing or who have self-published and want to get the most out of their publishing business. https://atlantawritersclub.org/aspc/
April 9–10, 2026: Write to Learn Conference (Columbia, MO). Full disclosure, I swiped this year’s theme (with permission) from the title of Bonnie Davis’s book, How to Teach Students Who Don’t Look Like You: Culturally Responsive Teaching Strategies. Bonnie, an old friend, was one of the early leaders in this field that has now come to be known as Diversity, Equity, and Inclusion (DEI). – says Willy Wood, Write to Learn Conference Coordinator. https://web.cvent.com/event/f3b26f2d-9b43-4507-b53f-193ed8a58612/summary?tm=jkZteXUv7vpjkP-VYc2lG5RkB4pq8o-rW1PZPOhHelA
April 16–19, 2026: The 2026 Chanticleer Authors Conference (Bellingham, WA). What makes the Chanticleer Author Conferences so special? Most importantly, the attendees! You are what makes this conference so special. Learning from the experts – Learn from the Best! Learning from each other and Networking and making new friends and connections. https://www.chantireviews.com/chanticleer-conference/
April 17–19, 2026: Annual Pikes Peak Writers Conference (Colorado Springs, CO). PPWC is a 3-day fiction-writing conference for writers of all levels, indie and traditionally published, featuring a variety of craft and business workshops, acquiring editors/agents and well-known authors across a variety of genres. https://conference.pikespeakwriters.org/
April 19, 2026: Sacramento Book Festival (Sacramento, CA). For the third-year running, Sacramento will have its very own book festival. The California Writers Club is excited to continue such an important event in Sacramento. We intend to develop this into an annual Sacramento Capital Experience. As usual, authors will be available to meet the public and talk about your writing. Signed copies of your work will be on sale, and feel free to expand your fan base. Aspiring writers will be able to meet members of the California Writers Club, to gain guidance on how to develop their art. Leaflets and CWC promotional material will be available for distribution to visitors. https://www.sacramentobookfestival.com/
April 23–25, 2026: 23rd Las Vegas Writers Conference (Las Vegas, NV). This year – and every year – the 23rd Las Vegas Writers Conference is dedicated to helping writers of all genres improve their craft, sharpen their business skills, and network with publishing professionals. Held each spring, this year’s conference will draw virtual attendees from around the world. Pitch sessions with literary agents and editors are included in the price of registration. Writers will have the opportunity for one-on-one mentoring sessions with faculty members and other published authors. https://lasvegaswritersconference.com/
April 23–25, 2026: NWG Annual Conference (Omaha, NE). The Nebraska Writers Guild offers three days of consultations, critique boot camps, and shop talk seminars. Appointments with literary agents like Kristina Slater are first-come, first-served, and have no extra cost. This conference is perfect for writers who would rather focus on intimate group or pair discussions rather than large panels. Workshops are capped to allow for in-depth discussion and a focus on networking without small talk. https://nebraskawriters.org/annual-conference/
April 30– May 2, 2026: 2026 OWFI Writers Conference (Oklahoma City, OK). Founded in 1968, the Oklahoma Writers’ Federation, Inc. (OWFI) is a non‑profit federation of writers’ groups dedicated to promoting higher standards for the written word. We believe that the literary profession has come of age and merits a fair share of the critical acclaim so generously lavished on other worthwhile arts. OWFI shall seek to coordinate and encourage professional writing within and without its organization and promote the recognition of outstanding contributions to the written language. https://www.owfi.org/
May 1–2, 2026: Lakefly Writers Conference, (Oshkosh, WI). EVERYONE HAS A STORY! Come to the Oshkosh Premier Waterfront Hotel and Convention Center for a two-day conference. They offer workshops on the craft and business of writing designed to inspire and guide your creative journey. https://lakeflywriters.org/
May 1–2, 2026: The 2026 Washington Writers Conference (Rockville, MD). The Washington Independent Review of Books presents the 13th annual Washington Writers Conference, the DC area’s premier literary gathering! Visit www.wirobooks.com for complete conference information. https://www.washingtonindependentreviewofbooks.com/page/the-2026-washington-writers-conference
May 1–2, 2026: Atlanta Writers Conference (Atlanta, GA). AWC’s 34th conference offers an in-person experience for all activities—critiques and pitches, a workshop, Q&A panels, free talks, an award ceremony, a book fair & more—and a virtual option for agent/editor meetings https://atlantawritersconference.com/
May 1–3, 2026: 9th Annual Sonoma Valley Authors Festival (Sonoma, CA). The Sonoma Valley Authors Festival is an annual 3-day weekend lecture series that brings people together to hear authors from a variety of literary genres. Using a “TED Talk” style format that includes “main tent” and breakout sessions, speakers discuss their latest works as well as advances being made in science, technology, medicine, and current issues. At a time when the art of listening seems to be disappearing, the need for civil discourse has never been greater. With so many voices vying for our attention, people are receptive to well-informed speakers and eager for thoughtful conversation and discussion of ideas. The festival attracts people who are committed to lifelong learning; many are at a stage in life where experiences are of more value than things and they enjoy vacations with a purpose. https://svauthorsfest.org/
May 2, 2026: The 2026 Michigan Writing Workshop (Detroit, MI). At this writers’ conference, participants will enjoy a day of intense instruction on how to get their works published. This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (200 total). https://michiganwritingworkshop.com/
May 5–9, 2026: ThrillerFest XXI (New York, NY). Notable thriller writers like Dennis Lehane will join other experts to offer Master Classes, workshops, pitches, panel discussions, and more. The conference’s PitchFest and QueryFest offer opportunities for self-published authors, traditionally published authors, and unpublished authors seeking query letter or manuscript help. Pricing is via day passes, per event, or with packages. https://thrillerfest.com/
May 12–16, 2026: Monterey Writers Retreat Conference (Pacific Grove, CA). Join us on the wondrously scenic and soothing Monterey Peninsula in Pacific Grove for the express purpose of working intimately with experienced author and agent professionals. Know that writers of every kind have journeyed for over a century to this location on the California west coast. They come in search of inspiration, individuality, purpose and vision, but more importantly, to share an understanding that art has preceded their arrival in the form of a brutally beautiful sea and windswept shore. https://montereywritersretreat.com/
May 14–16, 2026: Storymakers Conference (Provo, UT). The Storymakers Conference will consist of various classes that cover various topics such as cover design, marketing, creating a writing business, and the nuts and bolts of screenwriting. The Storymakers conference features over a hundred classes geared toward aspiring and established writers alike, taught by some of the best presenters in the publishing industry. https://storymakersguild.org/storymakers-conference
May 14–17, 2026: Looking Glass Rock Writers Conference (Brevard, NC). Exploring the theme “A Sense of Place,” small select groups of conference attendees experience working under the guidance of notable writers. Founded in 2016 as a partnership between the Transylvania County Library and Brevard College, the annual conference consists of writing workshops for select participants and public readings by the workshop leaders free to the community. https://www.lgrwc.org/
May 16–19, 2026. Kachemak Bay Writers Conference (Homer, AK). The Kachemak Bay Writers’ Conference has been the place where writers from Alaska and beyond come together to create community and learn how to be better writers. They are looking forward to welcoming you to the 2026 conference on May 16-19 at the beautiful Kachemak Bay Campus in downtown Homer, Alaska. There will there be four-days of craft classes, agent and editor meetings, panel discussions, readings by the participants and the faculty, and more chances for folks to interact with each other and form the community of writers that sustains us when we return to our desks. https://writersconf.kpc.alaska.edu/
May 25–29, 2026, Blue Ridge Mountains Christian Writers Conference (Black Mountain, NC). The Blue Ridge Mountains Christian Writers Conference began nearly four decades ago as a spirit-filled environment where writers could move forward in their writing journey and publishing dreams. The legacy event is focused on God’s path for each writer, and the conference is dedicated to meeting professional and spiritual needs. https://www.blueridgeconference.com/blue-ridge-mountains-christian-writers-conference/
June 5–9, 2026, Southeastern Writers Association (SWA) 2026 Writers Conference (St. Simon’s Island, GA). This low-key summer conference for Southeast-based writers features book signing, socializing, and workshops on writing, publishing, and marketing works. https://www.southeasternwritersassociation.org/
June 9–12, 2026: Write-to-Publish Conference (Wheaton, IL). Since 1971, Write to Publish has been training, inspiring and encouraging writers like you, connecting them with editors to help them improve their craft, with publishers who are looking for good books to publish, and with literary agents who can represent them. https://writetopublish.com/
June 10–16, 2026: TWH 2026 “Mini MFA” All-Genre Writers Conference (Phippsburg, ME). The Writer’s Hotel Maine “Mini MFA” is a unique, hybrid, comprehensive writing program. Our programming includes our TWH two-editor pre-conference Team Reading, virtual agent pitching sessions and our conference at Sebasco Harbor Resort in Phippsburg, Maine—a magnificent seaside resort, just north of Portland. https://www.writershotel.com/twh-maine-mini-mfa-conferences
June 12–14, 2026: Between the Pages Writers Conference (Springfield, MO). Springfield Writer’s Guild, Sleuths’ Ink, and Ozarks Romance Authors are pleased to present the second annual Between the Pages Writers Con, June 12–14, 2026. Join us for an exciting lineup of guest speakers, workshops, and the opportunity to network with industry professionals. https://btpwriterscon.com/
July 12–19, 2026: Port Townsend Writers Conference (Port Townsend, WA). Since 1974, the Port Townsend Writers Conference has brought together aspiring and master artists to talk about craft, ignite creativity, connect learners and mentors, and build a diverse community. The Conference includes a week of generative, craft-centered workshops, lectures, readings, open mics, and communal gatherings in an environment designed to de-privilege the literary art form and serve diverse voices from across nations. Whether you consider yourself a beginning or seasoned writer, our approach is to provide an inspiring and inclusive space where writers can share their perspectives, celebrate growth, and take creative risks to improve their writing and the writing of our peers. https://centrum.org/program/writers-conference/
June 15–19, 2026: 27th Annual – Writing and Illustrating for Young Readers Conference (Draper, UT). Writing and Illustrating for Young Readers presents an exciting five-day conference every June, consisting of intensive, week-long classes and daily breakout sessions. The heart of Writing and Illustrating for Young Readers is its morning workshops, where attendees have the opportunity to workshop their manuscripts with an industry professional. In the afternoon workshops, registrants have the opportunity to attend plenary and breakout sessions to learn more about the craft of writing.” https://www.wifyr.com/
June 20, 2026: Let’s Just Write! An Uncommon Writers Conference (Chicago, IL). Let’s Just Write! An Uncommon Writers Conference was named one of the best conferences in the U.S. by The Writer Magazine two years in a row! Two days, twenty-plus presenters, workshops, sessions, panels…and more. https://www.chicagowrites.org/conference
June 22–27, 2026: Minnesota Northwoods Writers Conference (Bemidji, MN). The Minnesota Northwoods Writers Conference has given hundreds of participants from Minnesota and across the United States the opportunity to work closely with award-winning faculty. We offer a range of scholarships to support emerging writers, important voices, and community leaders. This writing conference is full of workshops, Q&A sessions, panel talks. https://www.northwoodswriters.org/
June 24–28, 2026: St. Davids Christian Writers’ Conference (Meadville, PA). This year’s theme is “Your Story, God’s Glory”. St. Davids is special. They’re an intimate gathering of writers that provides an opportunity to build a network, not by exchanging business cards in a busy hallway. Here they connect, like real people – laughing over lunch, chatting about their projects in the lounge, or giving their elevator pitch in genre group meetings. Writing is a different beast with the digital world but connecting with people is still done face to face. https://stdavidswriters.com/
July 9–12, 2026: Readercon 35 Conference (Burlington, MA). Although Readercon is modeled on “science fiction conventions,” we have no art show, no costumes, no gaming, and almost no media. Instead, Readercon features a near-total focus on the written word. In many years the list of Readercon guests rivals or surpasses that of the Worldcon in quality. Readercon is the only small convention regularly attended by such giants of imaginative literature as Samuel R. Delany, Ellen Datlow, Amal El-Mohtar, John Crowley, Greer Gilman, and Catherynne M. Valente. https://readercon.org/
July 15–19, 2026: WriterCon Retreat At The Canebrake (Wagoner, OK). Their 2025 retreat was the second one at The Canebrake Resort and it was a blast! Join them for next year’s in July of 2026 for a five-day, small-group writing retreat at the 300-acre Canebrake Resort in Wagoner, OK, on Ft Gibson Lake. Our retreat group will have the resort to ourselves with paths to hike, a pool to enjoy, bikes to ride and much more! This retreat will leave you inspired to move forward in your writing journey! https://writercon.com/retreat/
July 17–19, 2026: Imaginarium (Louisville, KY). Imaginarium 2026 proudly welcomes author and editor Leah Pugh, and author, screenwriter, filmmaker, actor, and musician Rose Marie Machario, as Official Panelists! As Panelists, Leah and Rose will be participating in our extensive panel and workshop programming during our 13th year, July 17-19, 2026, in Louisville, Kentucky! https://www.entertheimaginarium.com/
July 18–20, 2026: Sun Valley Writers’ Conference (Sun Valley, ID). Over 30 years ago, the founders of the Sun Valley Writers’ Conference (SVWC) sat around a kitchen table and dreamt up what would become today’s premier literary conference. Each summer, some of the world’s best writers and thinkers—including fiction and nonfiction writers, journalists, playwrights, poets, historians, and filmmakers—descend upon the small town of Sun Valley, Idaho, for a week-long literary celebration. During the event, SVWC hosts mind-expanding talks and performances, intimate dinners, book signings, lawn talks, and dazzling exhibitions—as well as free community events in partnership with local bookstores, libraries, and schools. Sun Valley Resort, the venue for SVWC, is nestled almost 6,000 feet high, in a stunning snow-capped valley of the Rocky Mountains. https://svwc.com/
July 26–31, 2026: Napa Valley Writers Conference (Napa, CA). Since 1981, the Napa Valley Writers’ Conference has provided literary fellowship and a craft-focused experience among the foothills and vineyards that have made this region famous. In a literary culture often dominated by concerns of business and marketing, the Napa Valley Writers’ Conference has maintained its emphases on process and craft, featuring a faculty as renowned for the quality of their teaching as for their work. Small workshops foster an unusual rapport between faculty writers and conference participants, who find the Napa Valley experience nurturing and challenging. The conference is suited to experienced writers, but enthusiastic beginners are also encouraged to apply. http://www.napawritersconference.org/
July 30 – August 1, 2026: Mendocino Coast Writers Conference (Mendocino, CA). The Mendocino Coast Writers’ Conference is a vibrant gathering that offers morning workshops in a wide range of genres. Afternoons are packed with craft seminars, panels, one-on-one consultations, and open mics; and every evening offers an opportunity to enjoy the camaraderie and connection that make this conference, in the words of one participant, “life changing.” At this conference, writers can participate in morning workshops that are related to various genres. https://mcwc.org/
July 31 – August 3, 2026: Willamette Writers Conference (Portland, OR). Willamette Writers is the largest writers’ organization in the Pacific Northwest. Writers of all genres and at all stages of their careers come to our meetings, annual conference, and workshops to connect with their community, develop their craft, and advance their career. https://willamettewriters.org/
August 5–9, 2026: GCLS 22nd Annual Conference (Albany, NY). The GCLS’s 22nd annual conference is the premier literary event for both authors and readers. The event brings together readers, fans, writers, editors and publishers to celebrate women-loving-women and sapphic literature. https://www.goldencrownliterarysociety.org/2026-annual-conference
August 20–23, 2026: 2026 Killer Nashville International Writers’ Conference (Franklin, TN). Killer Nashville is the premier forum for all genres incorporating mystery, thriller, or suspense elements; learn, present, meet agents & editors, sign books, mingle with forensic experts, and network. Writers who attend the Killer Nashville Writers Conference can expect writing workshops, pitch sessions, panel discussions, author signings, and a book fair. https://www.killernashville.com/
September 4–7, 2026: WriterCon Conference (Oklahoma City, OK). This will be the 19th annual WriterCon Conference. Featuring three days of 60+ speakers providing more than 70 sessions designed to cover all genres and all aspects of the writing experience: skills, industry knowledge, opportunities, networking, pitching, contests, opportunities to meet with writers privately, to obtain manuscript reviews or private consultations, and much more. https://writercon.com/writercon-2026-conference/
October 8–10, 2026: Ozarks Creative Writers Conference (Eureka Springs, AR). The Ozark Creative Writers’ annual conference is led by a group of volunteer directors and officers committed to organizing one of the area’s most established and exceptional writing conferences. The conference caters to writers of all levels, from beginners to experts, and emphasizes the art of writing, skill-building, and motivation. This conference held each fall at the Inn of the Ozarks in Eureka Springs, Arkansas, has existed since 1968. https://www.ozarkcreativewriters.com/
Select a writers’ conference of interest to you and be prepared to enjoy the benefits of meeting other writers. You may acquire knowledge you can use immediately, find a new market for your book, elevate your professional effectiveness, meet editors, agents and publishers, become inspired and return home energized.
The Bottom Line: Take a little working vacation and hit some writers’ conferences. Make it a priority to sign up for one in the coming weeks and months. You’ll be glad you did!
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
Learn more about Westwind Communications’ book marketing approach at https://westwindbookmarketing.com/ or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.
Would you like help promoting your book?
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
by Scott Lorenz | Blog, Book Publishing, How to title a book, Marketing a Book, Promoting a Book, Writing a Book
By Scott Lorenz
Westwind Book Marketing
Writers spend years crafting characters, shaping dialogue, and perfecting each scene. But if there are two pages that hold the most weight in a reader’s journey, it’s the very first and very last. Why? Because these pages serve as the reader’s introduction and final farewell.
In my many years as a book publicist, I’ve seen how a compelling beginning can hook readers instantly, while a powerful ending can leave them deeply moved– or even changed. Together, the first and last pages can define the entire emotional experience of a book. So, how can authors ensure these pages are both engaging and unforgettable?
Hook Them From the Start
It’s important to have a creative book title that might draw a reader in—but the first page seals the deal. You only get one chance to make a first impression, and it needs to count. That impression starts with a powerful opening line to grab the reader’s attention.
Take, for example, the opening line of James Patterson’s Private:
“To the best of my understandably shaky recollection, the first time I died it went something like this.”
Is that a great first line or what? It’s intriguing, unexpected, and immediately pulls the reader into the story.
Whether through intriguing dialogue, moments of tension, high emotion, or a unique perspective, your opening should spark curiosity and demand attention. The main goal is to spark the readers curiosity and keep them coming back for more with each word.
Start with the End in Mind
Have you ever heard of readers skipping to the last page before committing to a book? It may seem like cheating, but there’s a good reason for it: the last page can reveal the emotional payoff.
One strategy to ensure a meaningful ending is to write it first. By starting with your final page, you create a roadmap that keeps your narrative focused. Every chapter then works in service of the conclusion, creating a more satisfying and cohesive story. For readers who peek ahead, the last page becomes a promise that the read is worth your time.
Create Full-Circle Moments
Few things are more satisfying than finishing a book and thinking, “Wow, everything came together”. That feeling comes from a full-circle moment—when the ending reflects the beginning, but with growth, transformation, or deeper understanding.
Maybe your character started out in isolation,and ended with connection. Maybe the opening line is echoed in the final paragraph. These choices leave the reader feeling that every moment was intentional and impactful, creating a lasting emotional resonance.
Planting the Seed for What’s Next
If you’re writing a series—or even considering continuing the journey—your last page is the perfect place to plant subtle seeds. It’s important to leave the reader satisfied, but eager for more. This could be done subtly– through a question being left unanswered, a new character introduced, or a hint of an unresolved conflict.
Writing a cliffhanger needs to be done with intention– almost as if the door is left open by a crack. Even in standalone novels, giving readers space to imagine a character’s future can add depth and intrigue beyond the final page.
Don’t Skip the Polish
No matter how compelling your story is, it won’t land if it’s riddled with errors. Professional editing and proofreading are non-negotiable as it’s important to have an editor that ensures your work is polished and grammatically correct. Publishers Weekly discusses, “if an author hasn’t spent the time and money on a solid editing job, it’s all just wasted effort”.
Make your work count and invest in quality editing that ensures nothing distracts readers from the magic of your first and last pages—and everything in between.
The Bottom Line
Your first and last pages carry the greatest responsibility. By crafting them with care, intention, and emotional weight, you’ll give your book the best chance to resonate long after the final word.
About Book Publicist Scott Lorenz
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
Learn more about Westwind Book Marketing at https://www.WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award-winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.
Would you like help promoting your book?
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
by Scott Lorenz | Blog, Book Marketing, Book Publicity, Book Publishing, Marketing a Book, Writing a Book
By Scott Lorenz
Westwind Book Marketing
Biographies and memoirs are commonly confused, both telling personal stories about an individual’s life. However, there is a distinct difference, and this plays an important role in the purpose of the book and how it is marketed. Let’s take a look at both!
Biography
A biography is a nonfiction account of a person’s entire life. It includes key events that shaped them as a person, as well as information about their relationships, work, education, and defining character traits. Biographies can be written about both people who have passed or people who are alive today. Sometimes, biographies are written by the subject themself, and this is known as an autobiography.
The information presented in a biography is objective and factual, often taken from first-hand accounts such as interviews, letters, diaries, newspapers, and more. Biographies are often written in the third person. The main goal of a biography is to present a fact-based record of someone’s childhood, adolescence, and adulthood.
Here are some examples of well-known biographies. All of these extend over their subjects’ entire lives and come from reliable sources.
- Steve Jobs by Walter Isaacson: “Based on more than forty interviews with Steve Jobs conducted over two years—as well as interviews with more than 100 family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries.”
- The Immortal Life of Henrietta Lacks by Rebecca Skloot: “Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family—especially Henrietta’s daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn’t her children afford health insurance?”
- Alan Turing: The Enigma by Andrew Hodges: “This New York Times bestselling biography of the founder of computer science, with a new preface by the author that addresses Turing’s royal pardon in 2013, is the definitive account of an extraordinary mind and life.”
- Frida: A Biography of Frida Kahlo by Hayden Herrera: “This engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences.”
- Mad Girl’s Love Song: Sylvia Plath and Life Before Ted by Andrew Wilson: “Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century’s most popular and enduring female poet.”
Memoir
A memoir is a story of a person’s life as told by that person. Unlike an autobiography, a memoir centers on emotion and reflection rather than a timeline. Memoirs tend to be limited to a specific time or experience. Memoirs generally fit into one of the following structures: flashback, chronological, themed, or overcoming a struggle.
Memoirs come directly from the source and don’t take an objective approach, since they focus on how the author perceived a situation or event. They are written from a first-person point of view. Memoirs take aspects of fiction novels as well, as they include scenes, dialogue, and an engaging narrative. The main goal of a memoir is for an author to explore a specific theme or situation in their life in an emotion-based way.
Here are some examples of memoirs. Each one focuses on a theme or event that had a profound impact on the author’s life.
- I Know Why The Caged Bird Sings by Maya Angelou: “I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide.”
- Into Thin Air: A Personal Account of the Mount Everest Disaster by Jon Krakauer: “A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that ‘suggested that a murderous storm was bearing down.’ He was wrong. By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons and lay to rest some of the painful questions that still surround the event.”
- Eat, Pray, Love by Elizabeth Gilbert: “This wise and rapturous book is the story of how she left behind all these outward marks of success, and set out to explore three different aspects of her nature, against the backdrop of three different cultures: pleasure in Italy, devotion in India, and on the Indonesian island of Bali, a balance between worldly enjoyment and divine transcendence.”
- The Year of Magical Thinking by Joan Didion: “This powerful book is Didion’s attempt to make sense of the ’weeks and then months that cut loose any fixed idea I ever had about death, about illness, about marriage and children and memory, about the shallowness of sanity, about life itself.’”
- Night by Elie Wiesel: “Night is Elie Wiesel’s masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.”
Why does this distinction matter?
Websites like Amazon categorize biographies and memoirs into the same section, so why should they be marketed differently? In a nutshell, biographies and memoirs hold different purposes for readers. A person researching an individual will likely prefer the fact-based biography, while someone looking for a relatable story will gravitate towards a memoir. Therefore, books should be marketed as such to reach their intended audience.
When marketing biographies, focus on the factual aspects. Highlight the first-hand sources, such as photos or interviews. Emphasize what your book offers that a source like Wikipedia does not.
When marketing memoirs, use the emotional aspects to your advantage. Many memoirs focus on childhood events, marriage, divorce, or other life events that readers can relate to. Memoirs can be marketed similarly to fiction novels, although the non-fiction aspect sets them apart as unique stories.
The Bottom Line
Biographies are factual accounts of an individual’s entire life, while memoirs focus on the emotional aspects of a specific event or theme in the author’s life.
About Book Publicist Scott Lorenz
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
Learn more about Westwind Book Marketing at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award-winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.
Would you like help promoting your book?
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
by Scott Lorenz | Blog, Book Marketing, Book Publishing, Book Title Generator, BookTok, How to title a book, Literary Agent, Writers Conferences, Writing a Book
By: Scott Lorenz
Westwind Book Marketing
Have you been thinking about publishing a book for your personal brand or business? A strategized memoir or business book can elevate your authority and be a lead-generating machine for your speaking, consulting, or course offers. Today anyone can publish a book for next to nothing. But take it from a book marketer, just because it’s published doesn’t mean it’ll elevate your business.
On average, a self-published book costs around $2,000 to publish. But most of those books sell less than 100 copies. Wouldn’t you like your book to do better than that?
For the people I work with, investing in a professional book is a no-brainer. Speakers and business leaders see their books as a career investment, and it makes sense to consult the experts to get the best ROI.
“If you want to exponentially grow your opportunities as a consultant, speaker, investor, or leader, it’s time to get published,” says Marie Hasty. She’s a concierge ghostwriter for clinicians and medical entrepreneurs, and she loves helping her clients elevate their careers with a professional book. “These projects aren’t cheap. But investing in just one book can impact the rest of your life – your business, your personal brand, and your legacy.”
How much can you expect to invest if you want to put together a professional book for your brand? Here’s a breakdown of the cost of publishing a branding book today.
Publishing cost is different for every project. But understanding the rough cost for each step in the publishing process will help you make the best decision for your book (and your wallet). Let’s break down the book-building process into four categories: pre-publication, publication, marketing, and distribution.
Pre-Publication Expenses
Professional book development lays the foundation for an impactful branding book. As a book publicist and publishing expert, I can’t stress enough the importance of investing in the following areas to ensure your book’s quality and resonance with your audience.
1. Book Concept and Development
The first step in publishing your branding book is refining your concept and developing a well-structured outline. If you’re working with a ghostwriter or book consultant, they’ll help you with this. You’ll also need to get clear on your goals for the book, your audience, and the key stories you want to tell during this stage. Here’s a list of ghostwriters I like to work with: Ghostwriters
Ghostwriter: $20,000-$100,000+
Book Coach or Consultant: $1,000-$3,000 per month
2. Professional Editing and Proofreading
Editing is an indispensable aspect of publishing, as it ensures that your writing is polished, error-free, and ready for public consumption. Investing in professional editing and proofreading services will significantly improve the quality and credibility of your branding book. Skilled editors will help refine your content, improve flow, and ensure consistency for your readers.
Depending on the publishing route you choose, editing may be included in your publishing package.
Developmental Editing: $1,500-$5,000 per project
Line/Copy Editing: $1,500-$3,000 per project
Proofreading: $800-$1,000 per project
3. Book Cover Design
Don’t underestimate the power of a visually striking book cover. Despite what we’ve been told, your readers are judging your book by its cover. A good book cover can help sell a book – a bad cover can kill a book. Enlisting professional designers to create a compelling book cover that aligns with your branding visuals is well worth the investment. Here’s a list of Book Cover Designers I’ve compiled.
Book Cover Design: $200-$2,000
Publication Costs
The cost of publishing your book will depend on the publishing route you choose. Today, there are three main ways that authors are published: Traditional, hybrid, and self-publishing. For many authors, traditional publishing is not an option. But hybrid and self-publishing routes are rapidly gaining traction for authors who are able to invest in their book’s development and printing. Let’s compare the costs of each publishing method.
1. Traditional Publishing
Traditional publishing through big firms has significant advantages in that it won’t cost you anything to have your book edited, designed, and printed. Some authors even get advances on their book, although these aren’t what they used to be (think: less than $5,000).
However, there are still costs associated with traditional publishing. You’ll need to work with a literary agent, put together a book proposal, do most or all of the marketing yourself, and likely foot the bill on travel for a book tour. Check out my article with interviews from 18 literary agents about what they want from authors. What Literary Agents Want
Literary Agent: 10-15% of advances and royalties
Ghostwritten Book Proposal: $5,000-$15,000
Book Tour Expenses: $3,000-$20,000+
2. Self-Publishing
Self-Publishing has come a long way in the last decade, and several big authors have turned to this method as a way to keep more royalties and maintain creative control. Most importantly by self-publishing you can bring your book onto the market much faster by months and months. The downside is that this method is more work for the author, and you may need to coordinate hiring editors, designers, etc. to produce a professional finished product. Assisted self-publishing firms can help you save time and create a more refined book, but they’re not cheap, and you’ll need to vet your team before signing a publishing contract.
DIY Self-Publishing Expenses: $1,000-$2,000
Assisted Self-Publishing: $8,000-$25,000+
3. Hybrid Publishing
Hybrid publishing brings a mix of professional editorial support with the speed and creative control of self-publishing. Hybrid publishers share the publishing cost with their authors and provide in-house editing, design, and production. These firms help with some book marketing since their profits come partially from book sales. But keep in mind that hybrid publishers are not vanity presses, and many firms only select about 10% of the manuscripts they see in a year.
Hybrid Publishing: $6,000-$30,000
The publishing industry is always changing, and even experienced authors may change their publishing route depending on the goals for their book. Jane Friedman, an expert on book publishing and author consultant, summarizes the publishing process well:
“There is no one path or service that’s right for everyone all the time; you should take time to understand the landscape and make a decision based on long-term career goals, as well as the unique qualities of your work. Your choice should also be guided by your own personality (are you an entrepreneurial sort?) and experience as an author (do you have the slightest idea what you’re doing?).”
No matter what publishing route you choose, most book marketing efforts will likely fall on you, the author. So, let’s talk about what you might expect to pay for book PR, book promotions, and marketing a successful book launch.
Book Marketing
Investing in expert book marketing support can be the difference between a book that makes you a household name and a book that collects dust on your shelf. Book marketing costs money but obscurity costs more. Today, there are more avenues for marketing your book than ever. Here are the book marketing essentials to start with:
1. Hire a Book Publicist.
Have you ever wondered how guests on talk shows get those coveted spots? They’re likely working with a publicist or PR firm. Working with an experienced book publicist (like me) elevates your authority, gaining you media exposure with the audiences who need your book. A book publicist can also help you schedule appointments on your book tour, find book fairs and festivals, and connect you with journalists for interviews.
Book Publicist Cost: $5500-$7500 per month
2. Build Your Author Platform.
Where do you want people to go after they see you on TV, read your book, or watch your speaker presentation? Maintaining an author website and blog helps create more touchpoints for your audience to learn about you and your expertise. And this is a great place to recruit readers for your newsletter or course. Jeff Jacobs of the prestigious web design firm Marketing Success, says “I love working with authors because a website really elevates their book success. We’ve built dozens of author sites, and I recommend that every author keep a website.”
DIY Website Cost: $16-$50 per month
Professional Website Cost: $4,000-9,000
3. Social Media Promotion.
If you don’t have one already, building a following on social media can get more eyes on your brand and help you connect with more readers.
I know it’s difficult to be on all platforms, but you should be on at least one. If you have a business book and you are seeking business clients, then build out your LinkedIn page.
If you have a fiction book, then go for Facebook and Instagram.
If you have a younger audience then check out TikTok, and specifically BookTok, which has elevated dozens of authors in the last several years. Jane Friedman helped her client get to half a million followers on the platform, which led to a traditional publishing deal. “There are many approaches to getting your book out there to readers,” says Jane. If you’re wanting to build a face-forward platform, TikTok could be a great place to start.
You’ll need to think about who your audience is and where they live on the internet to best invest your time. Personally, I love Twitter or X as it’s being rebranded, and have 49K followers at @aBookPublicist. I promote my client’s books and my own services as well as Tweet about publishing, writing, and info useful to authors and publishers. I send out articles like this one to my followers and some are really happy to see this stuff!
DIY Social Media Cost: Nothing
Professional Social Media Management Cost: $200-5,000 per month
Social Media Ads Cost: $15-$200 per day
Distribution Costs
How and where readers access your book comes down to distribution. Most branding books are physically printed, and many authors opt for an e-book as well. Audiobooks are less common unless you’re working with a traditional publisher who will foot the bill. These are the main ways authors distribute their books today:
1. Online Retailers:
Amazon is the most common online retailer for books today, and a great option for self-publishing. Their print-on-demand option allows you to avoid the cost of large print runs. POD has a higher cost per book, but there’s much less risk. This costs nothing, but you won’t find your book in bookstores with this method.
Amazon Print-On-Demand Cost: $0
2. Brick-And-Mortar Stores:
If you’re working with a hybrid or traditional publisher, they’ll likely handle distributing your book to stores. Most publishers work with Ingram Publishing, which gets your book out to most bookstores nationwide. Retailers then order your book, and Ingram prints and ships it to them.
Book Distribution Cost: 10-26% of net sales
3. Do a Goodreads eBook Giveaway:
It may sound counterintuitive, but giving away your book can be a great marketing strategy. Sign up in your author profile on Goodreads and they do all the work. They’ll promote it to their audience and charge a nominal fee of $115. They’ll send out the eBooks to the winners of the contest. Some authors schedule several per year. Why do this? It puts your book into the hands of people who may read it and review it on Amazon or Goodreads. If you have a physical book, you can do the same thing but shipping the book is up to you. My recommendation is do the eBook.
The Cost and Investment of Publishing: Key Takeaways
There’s a reason why want to write a book but only a small fraction does it. Putting a successful book together takes time, money, and energy. But for the business leaders who commit to the process, there are big payoffs on the other side of being a “published author”. When you consult the experts in writing support, publishing, marketing, and distribution, you ensure the best results possible.
The Bottom Line
Your book will not write, publish and promote itself. If you want success get professionals to help you along the way.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
Learn more about Westwind Communications’ book marketing approach at https://WestwindBookMarketing.com or contact Lorenz at scottlorenz@westwindcos.com or 734-667-2090 or fill out the form below. Follow Lorenz on Twitter @aBookPublicist. Want help titling a book? Check out Scott Lorenz’s new award winning, bestselling book: Book Title Generator- A Proven System in Naming Your Book www.BookTitleGenerator.net.
Would you like help promoting your book?
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else? Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
Would you like help promoting your book?
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
