Designing an eye-catching book cover is a strategic part of the book marketing process. If someone lingers over your cover for a millisecond longer, there’s a greater likelihood they’ll be inspired to crack open the book. What then, can be done to set one book cover apart from another with the hundreds of thousands of books being published every year?
Lately the trend of animating book covers has caught on as a sleek new way to add pizazz and let books stand out. An animated image is a great way for a book to be shared, posted, and reposted, on Twitter, Facebook, Pinterest. Tumblr and other social media sites thereby reaching a wider audience. Google’s expanded feature for Advanced Image Search is a good sign for authors and animators who want their work shared.
William Herr, author of From a Broken Land, described his decision to jump on the animation trend as a “shut up and take my money moment.”
Who is using Animated Book Covers?
Graphic design artist Joshua Jadon has offered GIF book covers to his clients for over three years. Joshua has designed book covers for authors of all genres including New York Times Best Selling authors. Joshua says that one in five of his clients will request an animated book cover.
So far, several renowned authors including Stephen King and J.A. Konrath have adopted the animated design. Stephen King published Doctor Sleep, the sequel to The Shining, with a beautiful animation.
Get an Animated Book Cover
How Can Authors Get an Animated Book Cover?
William R. Herr described his decision to animate the cover of his recent novel, From a Broken Land, as, “Not something you can do yourself, at least not if it is done right, and the artists understand this. Pay well for good work, and don’t accept the sub-par.”
Unfortunately, his publisher at the time wasn’t onboard. Herr states, “Their position was that the retailers would never agree to include the covers, so why even pursue it?” After leaving his publisher for unrelated reasons Herr turned to his friend Aaron Acevedo of Pinnacle Entertainment Group, a “bootstrap tabletop gaming company.” Acevedo in turn brought in colleague Martin de Diego Sadabo to do the artwork, the combination was simply perfect.
On the other side of the spectrum is book design artist, Joshua Jadon, who has been dazzling readers for over three years with animated book covers. “My dad has always been into animation and suggested that I look into doing animated book cover designs. The idea that an eBook cover can be brought to life with a bit of custom animation in a GIF format is really amazing.”
Why Should an Author get Animated?
According to Jadon, “Eye-catching book cover design is a real key to catching the attention of MORE readers and the best possible way to increase that rate of someone seeing your book is to have a cover that really stands out. GIF animations just crank things up a notch with real-time movement and effects.”
What is the Cost of an Animated Book Cover?
Less is more according to Herr. “Too much movement, and the eye gets tired. Too little, and it does not ‘pop’. Overall cost for the animation was $100.00.” All animators have their own fees, and the DIY option is always there if one is inclined to take up the task.
“Honestly creating a GIF animation can take some time depending on the difficulty of the animation and what exactly the client wants created”, states Jardon who quoted his rate for an animated GIF cover at $200 although he offers discounts if authors want a regular book cover as well.
There is also the option of creating your own. All that is required is Photoshop and the help of a Graphics Interchange Format (GIF) creating site. There are several tutorials online such as this one that can give any book a creative edge to grab attention.
The Future of Animated Covers?
While many authors and designers are catching on to this unique marketing tool, animating still appears to be in its early stages. At the moment, Amazon Kindle and most major online retailers do not support them. Nor has Amazon released any plans to feature the new designs.
However, the trend has gained some serious momentum and may become more commonplace as the book industry continues its competitive streak. As Herr put it, “Someone has to be first, and I’ll be darned if it’s going to be Steven King over me.”
The Bottom Line: With the explosion in electronic everything, getting an animated book cover will be standard in the coming years. Might just as well jump on it and do it now.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
Landing an agent for many authors is the most sought after goal. Why? It’s been long considered the fastest and most profitable path to publishing success. If that is your goal then you’ll want to check out these tips, techniques and resources to help you land the quality literary agent you are seeking.
Where to begin?
Get up to speed with the latest information with books and resources on the topic. According to Jeff Herman, book agent and author of Jeff Herman’s Guide to Book Publishers, Editors & Literary Agents, authors should assess potential agents on the following points before sealing a deal:
1. The list of books the agent has sold to publishers, including the publishers’ and authors’ names.
2. The agent’s reputation online.
3. Why s/he likes your book and how s/he plans to market your book, with reference to a timeline and how much you’ll potentially earn.
Time to Get a Literary Agent
Note that real agents do not:
1. Charge upfront fees
2. Offer to edit for a fee
3. Sell adjunct services to their clients
4. Submit books to vanity or non-advance paying publishers
The critical step in the process is to research agents before you submit to them. Avoid agents who charge fees other than the standard 15 percent commission they receive on everything you get paid (your advance and royalties).
Narrow Your Search
Publishers Marketplace is one of the best places to research literary agents. Buy a subscription for $25 and access a wealth of information about publishing. With hundreds of agents hosting web pages, Publishers Marketplace is arguably the largest and most comprehensive repository to find info on top literary agencies. In fact, Publishers Marketplace claims to have “more e-mail and other contact information on more agents than any other source, updated daily.”
Member authors can create their own Publishers Marketplace web page and indicate they are seeking an agent, which advertises you to agent and publishers.
An added bonus to PublishersMarketplace.com is the deals database, which includes the actual dollar figure of the advances paid to authors for many books. The daily updates provide essential information and searches reveal editors’ buying patterns and more. The site also hosts a contact database that tracks editors on the move. Find out more here: https://www.publishersmarketplace.com/benefits.shtml
Other resources to consider include:
Social media is also a powerful tool to locate agents. Search social media for associations of agents— there are plenty. Michael Larsen, literary agent, suggests authors check out the Association of Authors’ Representatives (AAR) https://aalitagents.org/ as an outlet for finding quality agents. According to Larsen, “The 450 agents in AAR are the best source of experienced, reputable agents. Members are required to follow the AAR’s code of ethics.”
Another resource for finding agents is simply the acknowledgments section in books similar to what you envision your own book to be. Read the acknowledgments and collect the names of those agents mentioned and contact them directly.
Don’t be shy— Have a presence.
Share your personal brand with the world, both online and in person. It’s wise to create professional social media accounts, an online work portfolio or blog. According to Michael Larsen, “Let agents find you- be visible online and off, get published and give talks, publicize your work and yourself. When you’re visible enough, agents will find you.” This strategy worked for Andy Weir, author of The Martian. After selling 35,000 ebooks for $.99 and topping Amazon’s Sci-Fi Bestseller List, an agent contacted Weir and he was soon represented by Random House for a book deal. On top of that FOX contacted him for the film rights of his novel. The rest is history.
A popular networking strategy is to attend writers’ conferences. Particularly for first-time authors, there’s no better way to get to an agent than at a conference. Agents typically won’t sign authors on the spot, but accept their advice and remember that networking is pivotal to a successful career. According to Chip MacGregor, literary agent and author of Ask the Agent, “I love writers’ conferences. Don’t go thinking you’re going to land an agent; just plan to meet people and learn a lot.” Where are the best conferences? Here’s a list I’ve compiled of upcoming writer’s conferences. https://sanfranciscobookreview.com/writers-conferences-put-authors-road-success/
Make It Perfect. Practice Proper Etiquette
“Nothing detracts from good writing like bad editing,” says Debra Englander an experienced non-fiction editor and writer. “Submit your best work. Have it copy edited and proofread by a professional. Don’t ruin a potential relationship with an agent because of mistakes.” Englander served as editorial director at John Wiley Publishing for nearly 17 years and was on the receiving end of thousands of pitches from agents and authors. She currently works with authors on creating winning book proposals and editing manuscripts.
Also, research an agent before you submit to them and check the agent’s guidelines before packaging and submitting your work. Before you commit to an agent, settle any unfinished business with others still considering your work. Just make it clear that you have an offer that requires an immediate decision.
If you think you’re ready to be placed with an agent, consider the direction your writing career is headed. According to Chuck Sambuchino, author of the Guide to Literary Agents, “Most agents say they’re looking to represent careers, not books.”
The Bottom Line: Agents can land you the deal you could never obtain yourself. But the pursuit of an agent can take months and years. If you still want an agent, then study up and do it now!
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
At some point in the writing and publishing process most authors find themselves exasperated with all of the things that need to be done. This is one reason I recommend authors look into hiring a book shepherd. A book shepherd (aka book coach) is someone whose expertise in books and publishing will help you through the entire book-crafting and selling process. Services include help with ghostwriting, editing, cover design, printing, distribution, marketing, seeking an agent, even dealing with Amazon! A book shepherd will assist you with your book from start to finish.
Sadly, I see authors make mistakes that a good book shepherd would have caught and changed. With all there is to know about the book publishing process, the constant flow of changes makes it extremely difficult to keep up with it all. The guidance of someone experienced would be your greatest insurance policy to ensure your book is a success. It’s like hiring a guide to give you a tour of a foreign land. Would you rather read a guidebook and do it yourself or hire a personal guide with special knowledge to show you?
Debra Englander
Consider yourself fortunate if you can afford a book shepherd because it is well worth the money spent.
Debra Englander
“Nothing detracts from good writing like bad editing,” says Debra Englander an experienced non-fiction editor and writer. “Submit your best work. Have it copy edited and proofread by a professional. Don’t ruin a potential relationship with an agent or publisher because of mistakes.” Debra Englander has extensive editorial experience including reporting for Money, managing the Fortune Book Club and serving as editorial director at John Wiley for nearly 17 years.
She currently works with authors on creating winning book proposals, editing manuscripts and content creation for online and print projects. I’ve known Debby for many years and she’s at the top of my list. Email her at: [email protected] and find out more at: https://www.linkedin.com/in/DebraEnglander/.
Marla Markman
Marla Markman
Marla Markman is an award-winning editor with over 30 years of experience creating and managing books. Marla is the owner of Markman Editorial Services, which provides publishing project management, guiding authors every step of the way with expert advice on everything from ghostwriting and outline development to editing, book design, printing, e-book conversion and audiobook production, to website development, listing the final product on Amazon, and more. Many of her client’s books have been Amazon bestsellers, adapted as university textbooks, featured in the Wall Street Journal and Publisher’s Weekly, and won prestigious indie publishing awards, like the Ben Franklin Awards.
“Self-publishing can be an overwhelming and confusing experience for the uninitiated,” says Marla. “I enjoy guiding authors through the self-publishing process.” Marla developed and honed her expertise as managing editor of Entrepreneur magazine, one of the nation’s leading small-business publications. She launched its book division, where she acquired, developed, and edited numerous top-selling book series, including Start Your Own Business, which continues to be Entrepreneur’s No. 1 bestseller. Reach her at: https://www.marlamarkman.com/.
Mike Ball
Mike Ball, an Erma Bombeck Award-winning author and syndicated columnist offers unique assistance to new authors from his position on the front lines of the publishing wars. “Writing, editing and publishing a book can be complicated, time-consuming and downright confusing,” says Ball. “I just helped out an author who got completely flummoxed by the forms Amazon threw at him. I understand it can be a daunting task for anyone. That’s why I am happy to assist authors in ghostwriting, editing and publishing.” Find Mike at https://www.mikeballonline.com/.
Beth Barany
“One of the biggest challenges in writing, publishing and marketing a book is to know what to do, when to do it and how to do each step,” says Beth Barany, a book shepherd, creative business consultant for authors and publishers, and an award-winning novelist. Beth says that authors come to her because they need customized support for wherever they may be in the process. They may need brainstorming sessions to overcome writer’s block when starting a novel, help figuring out how to publish their nonfiction book, general support, or to gain ease while social media-marketing their book. A big advocate for self-publishing, Beth works with her authors to help them write, publish and market their book through the channels that make the most sense for their overall goals, timing and budget. Traditional publishing is included, of course. To learn more about Beth Barany and to sign up for a complimentary 30-minute session, go to https://bethbarany.com/.
Gabriella Gafni, J.D.
Book Shepherd Gabriella Gafni, J.D. has composed countless texts for individuals from every walk of life and from every part of the globe. “With each project I undertake I ensure the narrative flows with meaning, vitality and purpose. Authors often remark that I have the ability to ‘get into their minds’ and manifest their messages in their respective voices,” says Gafni. “From first draft through publication, authors enjoy a collaborative experience destined to result in a pristine product, reflective of the author’s intent and purpose.” For more information about Gabriella Gafni, visit https://www.gmghostwriting.com/.
Thomas Miller
Thomas Miller, Ghostwriter, Podcaster and Book Shepherd
Thomas Miller not only helps authors through all of the shepherding steps we’re discussing here, but he’s also an expert audiobook narrator and producer. “Your book should generate multiple revenue streams beside just hardback, paperback and Kindle/Nook sales,” says Miller. “The audiobook market is growing faster than the conventional book market. If you publish, you should also produce an audiobook.”
Miller believes that some authors could create a seminar or workshop so that their book leads to online courses and coaching services. Thomas Miller can help advise authors on all of these revenue streams and can either narrate or guide them on an audiobook.
He also offers ghostwriting services at an affordable price. I’ve known and worked directly with him several years now and he’s top shelf in my book. Contact Thomas Miller.
Maria Connor
Marie White, Author, Book Shepherd and Publisher
For some authors an Author Assistant may be the way to go.
Maria Connor is the author of Do Less, Write More: The Author’s Guide to Finding, Hiring and Keeping an Excellent Author Assistant.
She is the founder/owner of My Author Concierge, which provides administrative, editorial, marketing and technical support services for authors.
She has worked with more than 50 authors across multiple genres.
Marie White
“I meet a lot of authors who have books they are not happy with,” says Marie White owner of Zamiz Press. “From covers they don’t like to missing versions of the book, such as audio or eBook, to no ‘look inside’ feature online. They are frustrated and alone in the process.”
If need be, White helps authors get their book back from a publisher and then republishes the book as they always envisioned it. “Most authors still retain the rights to their book, even after it’s published. I help them understand the publishing process and feel confident.” Reach Maria at: www.ZamizPress.com.
Michael Ray
Known as “Book Whisperer” Michael Ray King can help authors get to the finish line. With 10 published books, five Royal Palm Literary Awards for writing, over 20 manuscripts written and helping over 100 new authors get their manuscripts written, Michael can help you with most writing and publishing needs. https://michaelrayking.com.
Rik Feeney
Rik Feeney – Book Coach
Rik Feeney is a Book Coach and Publishing Consultant. He speaks at writer’s conferences and seminars and is the leader of the Orlando Florida Writer’s Association group.
Rik’s passion is helping authors effectively and successfully publish their books.
The Bottom Line: Whether you call it a book shepherd or book coach, these book publishing experts will help save you time, money and perhaps even your sanity!
Be sure to check out a list of book shepherds below which was originally created by the late Dan Poynter and now recently updated and expanded upon by Westwind Book Marketing.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
As a book publicist I am always on the lookout for effective ways to reach book buyers and the media. One way is to utilize a service called ProfNet. As one of its first users I’ve seen ProfNet become one of the most important ways of reaching the media in a non-intrusive way.
Here’s how it works. A reporter, freelance writer or television producer is assigned a story. Unless they know someone, who is an expert on that topic, they’ll need to find someone to interview. So, the reporter will place a query on ProfNet requesting an expert with certain qualifications and who could speak to a certain issue they are writing about. They’ll include a deadline, contact information and their media outlet.
These queries are compiled by ProfNet and are emailed out to thousands of publicists, experts, authors and other subscribers multiple times a day. I personally read just about every set of queries as they could contain a big media opportunity for my clients. On any given day there could be queries from the NY Times, Good Morning America, Women’s World Magazine, NPR and just about anybody you could think of.
I’ve landed clients in all the above-mentioned outlets and hundreds of others as well. One reason it works so well is that the media is looking for the expert rather than you or me (the publicist) pushing my client on them. In this case they actually have a story they’re working on and NEED an expert.
Who in the media uses ProfNet? Meet freelance writer Lisa Iannucci. Lisa has written many articles for consumer and trade publications including Weight Watchers, Muscle & Fitness, Parenting, Shape, ePregnancy, SkyGuide Go (American Express), American Health, USA Weekend, Parenting, New York Magazine and more. She has also written for New England Condominium, The Cooperator, Business Travel News, DDIFO (a Dunkin’ Donuts trade journal), Sports Travel and more. She is constantly on the lookout for interesting experts and authors to interview for her various freelance assignments.
Authors are perfect for Profnet because of their built-in credibility since they wrote about the subject matter covered in their book. The media likes people who have credentials and are authorities and experts.
Here are key tips to remember when responding:
1. Note the deadline. Get your response in well ahead of it.
2. Answer the question or query directly. Keep your email short and to the point. Nobody has time to read a dissertation.
3. Google the reporter or the publication if you are not aware of them. Get every edge you can as you’ll be competing against others who want the coverage too.
4. Remember Radio likes “sounds.” Television likes a “visual.” Online services like links and Print likes everything! So, cater to the medium in your response.
5. Put “ProfNet Query” in the subject line
I pitched one of my authors to a ‘major consumer magazine’ about her Hollywood makeup book as they were looking for the latest in Blush/Luminizers/Contouring/Makeup. Another author of mine wrote a book about Type 2 Diabetes and was quoted extensively in a highly regarded association publication with two million readers because the ProfNet query asked for tips about Type 2 Diabetes and insurance.
On another occasion, I responded to a ProfNet query from the New York Times who was desperately looking for someone to comment about a financial issue at 6pm on a Friday night. Got that one too!
The Bottom Line: Authors, put ProfNet into your marketing mix. By proactively promoting your book to the media you can become the Go-To-Expert on your topic. Do it today!
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
If you want to sell your book to Hollywood, it’ll help to think like Hollywood producers and directors. Since everybody is so busy these days, you’ll have to boil down your book to a quick pitch that answers the question: What is your book about?
Your logline should SELL the story, not tell the story.
Think about it, do you have a one-sentence summation of your book to tell others? Do you have the main elements of the story composed together? If not, you need a logline.
A logline is a one or two sentence description that boils down the essential dramatic narrative in as succinct a manner as possible, says James Burbidge on Raindance.org
According to John Robert Marlow, author of Make Your Story a Movie: Adapting Your Book or Idea for Hollywood, “If you want to turn your book into a movie then understand that the people who represent and purchase books and screenplays are incredibly busy. They need a way to decide which stories are worth a closer look, and which are not—without actually taking the time to read those stories. This is where the logline comes into play.”
Hollywood Logline, Sell Your Book to Hollywood
Here’s an example of a good logline for a book from the author resource website WildSound.ca.
“The Last Thing She Did” is a romantic comedy in which a ditsy writer struggles to overcome her reliance on a dead friend’s advice in order to meet a deadline.
According to Michelle Mclean, Romance and Nonfiction author, the elements of your logline should consist of Characters, Conflict, Distinction, Setting, and Action.
“A logline is a brief description of the plot of your story, which involves an emotional hook and a twist of irony. A logline organizes a story in the briefest form possible while retaining the strongest emotional effect,” said Jen Grisanti, author of Story Line: Finding Gold in Your Life Story.
“A good use for the logline is the pitch. This handy, dandy quick summary of your story is very useful in persuading agents, editors, and even your dentist that you’ve hit on a ‘wow’ premise that simply MUST be written. Better yet, if it’s already written, then it MUST be read,” said David Macinnis Gill, author and teacher.
“The logline is just as important as a creative tool as it is as a vehicle to spark an interest of others,” said Noam Kroll of Indiewire, an award-winning Los Angeles based filmmaker, and founder of the boutique production company Creative Rebellion.
“You do not need to condense your entire book into one sentence, but you do need to give enough information that the agent/editor/ curious acquaintance you are addressing gets the gist of your book, and is interested enough to want more,” said Michelle Mclean.
One author’s logline gained the interest of several producers and production companies as well as a major agent. “Sometimes the logline comes to me in the middle of writing a book and other times it’s the last thing I do. Whenever inspiration strikes, I capture the words immediately,” says Tricia Stewart Shiu author of the Moa Series, a Young Adult Science Fiction Fantasy. “Writing a logline is, essentially, communicating with gut instincts the core essence of a story. When you’re done, it should ring like a bell,” adds Shiu.
“Another use for a logline is you. A novel is a big thing. It’s difficult to hold the whole story in your mind, especially when you’ve finished a first draft and are still giddy from the flow of creative juices. Writing a logline helps you define—for yourself—the essential elements of the plot. It will also let you know immediately if major components of the plot are missing. This prevents episodic plots that are a string of (interesting and exciting) events that lack a complete story spine,” added David Macinnis Gill.
While writing your logline make sure it is brief. According to Wildsound.ca, brevity is an absolute necessity of creating a good logline, as well as choosing your focus carefully. It is important to choose the focus of your logline because it is the selling point of your book. You need to draw the readers in with action, the plot twists and turns, anything that will grab their attention and interest for more.
Your logline can also be brought to life by an actor through Wildsound.ca who’ll post it to their YouTube Channel, which draws thousands of viewers daily. They claim that agents and producers check the site for new content. It’s worth a look. https://www.wildsound.ca/
The Bottom Line: Creating a logline is an integral part of being able to convey to others what your book is about in a quick concise manner. Master this whether your book is going to Hollywood or not.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!