With hard work, perseverance and a little luck, your book could be “Cruisin” with Smokey Robinson to the bestseller list and you will be “Dancin’ in the Streets” with Martha and the Vandellas.
Who doesn’t love the music of Motown? Smokey Robinson, Aretha Franklin, Marvin Gaye, Gladys Knight, The Temptations, Lionel Richie and The Four Tops – their classic songs have entertained people from all walks of life for over 50 years.
I recently noticed that the titles of some of the biggest Motown hits also suggest some important themes that can help guide authors to improve their careers. Let’s have a look:
“What’s Goin’ On”(Marvin Gaye) advises you to educate yourself on what is going on in the publishing industry. It’s a moving target; what worked last year might not work today. It’s imperative that authors keep abreast of the changing publishing industry by reading books and magazine articles, going to book fairs and festivals and attending writer’s conferences.
“I Heard It Through The Grapevine” (Marvin Gaye) tells you to use today’s version of the grapevine, social media such as Twitter and Facebook, to promote your literary work. Authors should be sure to stay up to date about what others are saying about them, their work, and what their competitors are publishing as well. Be sure to keep your page updated and have frequent interaction with your followers to retain their interest.
“Respect” (Aretha Franklin) reminds you to treat others the way you want to be treated. Share resources and knowledge with fellow authors. Respond to comments and questions on social media. Take on a mentee. Be kind. Network. Respect the time and effort you’ve put into your craft and help others to do the same.
“Shop Around” (The Miracles) advises you to “shop” for the best book publisher, publicist, and others who can help make your book a success. This is not similar to shopping for commodities at the mall or grocery store; you should go with the person who provides the best quality for your needs, rather than the one with the lowest price. An investment in good editing, good book cover design and good marketing will help create a solid foundation in the long run.
“Signed, Sealed, Delivered” (Stevie Wonder) When signing a publishing deal make sure to look over the fine print, and ask questions about the contract. You, as the author, do not want to be obligated to terms that you were not aware of. Remember, “Ain’t Nothin’ Like the Real Thing”(Marvin Gaye & Tammi Terrell) so make sure you ask a lawyer to look over the contract before you sign.
“It Takes Two” (Marvin Gaye and Kim Weston), and “Rescue Me” (Aretha Franklin). Don’t be afraid to ask for help because publishing and marketing a book can be a nerve-wracking and overwhelming task for a first-time author. Do not wait until you need a rescue before calling in the professionals. As a book marketing expert, I’ve seen many authors make costly decisions that have to be rectified, which include bad titles, bad covers, bad editing, or lack thereof. “Stop in the Name of Love”(The Supremes) for your book.
“Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell) inspires you to be steadfast and resilient in order to be successful. For example, 100+ publishers rejected Mark Victor Hanson, author of Chicken Soup for the Soul, but he had the tenacity to keep searching for someone who would publish him.
The Bottom Line: “You Can’t Hurry Love,”(The Supremes). Success will not happen overnight and it’s not always easy as “ABC”(Jackson 5). But it doesn’t have to be a “Ball of Confusion”(Temptations.) With hard work, perseverance and a little luck, your book could be “Cruisin” with Smokey Robinson to the bestseller list and you will be “Dancin’ in the Streets” with Martha and the Vandellas.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
Jess Todtfeld, former FOX News producer and President of Success in Media (www.SuccessInMedia.com) interviewed Scott Lorenz, President of Westwind Communications Public Relations about his thoughts on PR and the ever-changing landscape of promoting a book, product or service. The in-depth interview is one of 15 such interviews with leading experts that Todtfeld is making available in the new The Ultimate Insider’s Toolkit for PITCHING THE MEDIA. The “toolkit” offers insider’s tips and techniques for getting your story publicized and is available at his web site. successinmedia.com
Jess Todtfeld: All right. PR in the 21st century media is the topic today here on the Speaking Channel. My special guest is Scott Lorenz. He runs Westwind Communications, a PR and marketing firm in Plymouth, Michigan. Scott helps doctors and authors and lawyers, entrepreneurs to help them get all the publicity that they deserve and more.
Jess Todtfeld: Today we’re talking about the ‘and more” which is the 21st century media, meaning the old school ways are okay, but there’s so many more choices that PR professionals are not necessarily leveraging, in my opinion – which is why I invited Scott to be on here today. So, Scott, welcome. Let’s jump right in. You are not only sending the old-style press release out to radio and TV and print locations, but you are also doing more is that true?
Scott Lorenz: That’s correct. I honestly can’t remember the last time I mailed some press releases out, although we do that on occasion. When we ship a new book out, we’ll put press releases in with the book.
Jess Todtfeld: It’s funny that you say that – and I’m a former TV producer and boy, I would get stacks and stacks of mail. And I hate to say, because it’s very wasteful – most of it would get thrown out because it was confusing.
Scott Lorenz: Let’s talk about direct mail for a minute – you’ve got to be able to compel people receiving the mail to rip it open because there’s something fantastic inside. And you’ve got to convey that in the message on the outside of the envelope, for starters.
Jess Todtfeld: Right.
Scott Lorenz: The problem is that that old school is kinda going by the wayside. However, what is interesting, though, now I think, is because so many people use electronic media and they’ve gone away from faxes and direct mail, that you can actually get a little bit more attention with direct mail with the right piece because publicists are not using it as much anymore – funny as those sounds.
Jess Todtfeld: That’s interesting, and I know you said there’s a number of different directions. You don’t just see your firm as a PR firm but as a PR and marketing firm.
Scott Lorenz: Right.
Jess Todtfeld: You employ marketing methods?
Scott Lorenz: Yes. PR is really a sales job. You are actually selling something. We are selling a client to a member of the media, and we’re selling it on the phone, we’re selling it by e mail, whatever methodology we use, face to face, but it’s a sales job. So, I come from that marketing and sales side of things, and that’s probably why I’m so effective in the PR field, because of that background. I’m not a journalist, okay, and often times I find that journalists who enter this field exit it quickly because of the fact they’re really not salespeople, they are journalists, and they have a different skill set and mindset.
Jess Todtfeld: I’m glad to hear you say that, because as a media trainer when I work with clients I’ll always sit there and say, “What’s the reason why you’re doing these interviews and talking to the media?” They’ll usually say, “You know, to get my face out.” “Why?” “You know, so I should be out there.” “Why?” “You know, to build my brand.” “Why?” And I keep going until they realize, “Oh, yeah – sales; oh, yeah – because I want my business to do better.” It’s “Oh, yeah,” because they get lost along the way sometimes.
Scott Lorenz: Right, exactly. What’s really great is if somebody has a book that we’re promoting and besides the book they’re selling speaking engagements, or they have a consulting business. Now, that book becomes a calling card and a platform. You’ve got to sell a lot of books to make a few thousand dollars. But you can make several thousand with just one speaking engagement or considerably more if your book lands you a $25,000 consulting gig. Any PR we obtain helps with the overall building of credibility for the author and their brand and ultimately leads to new business.
Jess Todtfeld: So a book has really got to be part of a bigger strategy, right?
Scott Lorenz: Right. I like very much to work with people who have those other ancillary services that they could sell besides just trying to make money from book sales, there’s more upside potential for the author.
Jess Todtfeld: Let’s talk about Facebook – everybody’s all excited about Facebook, and this I’m sure has got to be one of the 21st century new media places to be for any of your clients. Is it?
Scott Lorenz: Well, I think it certainly has potential and some people have done quite well with it promoting their brand and business. One of the things that I like about it right now is from an advertiser’s perspective. I can go in and select people who’ll see the ad by several variables. For example, I can say I’d like an ad to be seen by females, between the age of 21-35 who work at IBM who like yoga and biking who live in New York.
This selection by demographics and interests electronically has not been available until now. So, it’s pretty exciting. I’ll give you an example. I have an artist in California who paints on glass using a special Persian technique. She’s one of the only artists in the US who does this. Golnaz Shobeiri is her name. I created a Facebook ad with a picture of one of her art pieces with 160 characters of ad copy. It targeted people in the USA and in certain counties in the Middle East and further targeted Americans who have Middle East interests, Persian interests, Iraq/Iranian interest, art culture interest and so forth. This allowed me to zero right in on the most likely buyers of her art.
I have another project that I’m working on that I can’t disclose but it has to do with advertising to people that are in the auto industry, So I discovered that in a certain geographic area there are 1,700 in Michigan working at General Motors that are on Facebook, and about 1,500 Ford employees. Then there’s another 1,200 Chrysler employees and a few hundred more with Penske and other auto-related companies. I can target an ad that will only show up on their Facebook home page or their Facebook when they sign on. This is important because I am not wasting money trying to reach people who would not be interested in the product being advertised.
And I can further target it to people that are college-educated, not college-educated, whatever. This is pretty good targeting as marketing goes. As a marketing guy, I’m very impressed with this. I like that kind of targeting; it has potential for authors as well. You just have to think about who it is that’s going to read your book, who is your target market, and zero in on them directly.
Jess Todtfeld: Right. And so anybody listening right now who’s still fuzzy on Facebook, it’s a place where not just young people hang out. In some ways, some circles, they’re saying it’s replacing e-mail as the place to go to communicate with other people. And Scott, you’ve taken a step further because you’re talking about now instead of just becoming a friend of somebody – that’s kind of the way that Facebook works where you go on there, you have your own page, your own area, and you try to become friends with people that’s there. You’re skipping over some of that because you’re figuring out how to use the advertisings and to target certain groups and to show up right on their page.
Jess Todtfeld: And I think for anybody that says, “Wait a second – this is not PR. Now, I’m buying advertisements.” The more what I keep thinking is what’s the end goal? If somebody says, “Wait, Scott, I just want you to get me in the newspaper article or get me on CNN tomorrow.” But what’s the goal? The goal is to be on there so people will be interested in you and buy whatever it is that you have to sell, whether it’s a service or a book or whatever. But meanwhile if you pop up in a place where they hang out and they click and they go and they buy what it is that you have to sell, you achieve the same goal. Am I right?
Scott Lorenz: Yes. People always ask me what is the most important thing we can do? Then let’s just do that. I could tell you time and time again it all works in concert just like a three-legged stool. Which leg does all the work? Well, you take away one leg you’ll find out – they all work together. If we can digress a second, I have clients, a doctor who performs a certain procedure that – and that procedure was kind of controversial. I’ll just tell you so you can get an idea what it is; it’s vagina tightening, okay?
Jess Todtfeld: Okay.
Scott Lorenz: Anyway, the point was that we published articles online about this topic. Then we placed Google ads as well. Then members of the media contacted us after discovering the ad and then the article and the doctor’s web site. One reporter in particular was researching this topic for a story. What do most people and reporters do when they research a topic? Of course, they go to Google or Yahoo or Bing and search. This reporter researched it and came across my ads and all my material out there that we were using to promote this doctor. And she ended up contacting me as a result – it was a major national publication and a very nice article resulted from that. I even had HBO call me on the same subject because they discovered our ad which led to the web site. So, I know it works.
So the point is that you can get press by having the right things online, with articles, releases that are electronically published along with a paid Google ad or Yahoo ad campaign and Facebook, for that matter, so it all works together.
Jess Todtfeld: I like that – I want to take another jump to another area that I know that you’ve been working in. You don’t have to give away any trade secrets here, but you’re doing something with Internet articles. What is that exactly?
Scott Lorenz: Articles – let’s say when people want to research something, they used to pick up an encyclopedia or they used to go to the library. If people wanted a product or service, they would pick up the Yellow Pages but not so much anymore.
Certain people, certain demographics mostly those over 60 years old will still use the Yellow Pages. But the advertising is very regional, very localized because they divide the area codes up into 20 different slices and markets. That’s a big deterrent to using the Yellow Pages as well. In order to be really successful in their market area you’d have a book that’s two feet thick.
That’s what’s good about the Internet, because you can go online, search for any product or service you want. You’re not limited to who’s in your back yard. The whole world is an open book for you, and as a result the internet and Google is where people go to find what it is that they’re looking for whether it’s a product or service or information about their special interest.
I use it to make sure we have material out there about our clients online that people can search for keywords and then get directed to those articles, and then those articles lead to a website, which leads to the client.
Jess Todtfeld: Right. I see. And you have your secret sauce, your special way of getting them out there so that Google and other big search engines find it. I know even being the former TV producer I used to go to Google, and I would type in some keywords and see where it took me.
Scott Lorenz: Of course.
Jess Todtfeld: If I’d see any important names, and before that we used to use Lexus Nexus, a very expensive service that lawyers and big universities use and pay a lot of money so that you could search old articles to get names of experts. But you don’t really need it anymore, or we would rarely use it after that because you go to Google, a bunch of things come up, and there you go, there’s some important names, so –
Scott Lorenz: It’s only going to get more important, because here’s what’s happening. Kids of all ages whether in grade school, high school or college are used to using all of this technology. It’s all second nature to them. I was contacted by a 25-year-old member of the media who was a producer for a radio show. He wanted one of my clients for an interview. I always try to track the origin of their interest in my client and ask “how did you hear about Dr. So, and So.?” He said he went online and searched it. He went inside Wikipedia. That was his starting point. Not Google. Not Yahoo! He started with Wikipedia.
Jess Todtfeld: It’s the online encyclopedia that regular people contribute to and creating a knowledge base.
Scott Lorenz: Right. So, he just typed in the search of the topic area, okay, that he was looking for combined with the word expert or consultant, whatever, and he ended up with my client. Because my client had a Wikipedia page he was there to be found. I thought that was pretty cool, and for that young producer this is what was normal for him. It’s only going to become more important that people have a presence in all of these online locations, whether it’s Wikipedia, Facebook, online article sites, and so forth.
Jess Todtfeld: That’s terrific. And then you brought up Facebook ads, you brought up Google. I have to ask you of course about Google ads. Do you use them? Have they helped you?
Scott Lorenz: Of course. Absolutely. I represent people who are experts in their field. One of the things that members of the media will do if they’re looking for an expert is to add the word expert or consultant to the end of it. Just type in “Book Marketing Expert” and you’ll find yours truly! You’ve got to be there with Google ads or with your online material ranked high enough so that people can find you. So that’s critical. So again, I used them in tandem when my clients can afford it. Not everybody can afford it, and some of these ads for some of my clients can run $3 to $20 and upper click. But for the vast majority of people the price range is $.50 to $3.00 per click.
If you’re trying to sell a book for $20, you sure as heck can’t be paying $12 a click. So, you’ve got to be very judicious and clever in how you attract people to your ads. However, there are plenty of places you can advertise. Use Yahoo too – don’t forget Yahoo because Yahoo still gets 20% of the search engine traffic. Google gets 50-60-70 percent depending upon who you believe. Just don’t forget Yahoo! and Bing. I buy ads on those sites as well and they are usually less expensive.
Jess Todtfeld: It really depends on the type of business you have to determine what the right price to bid might be. If you’re talking about top legal experts, I’m sure that’s expensive, but if it’s some of the key words included with the expertise of that doctor you mentioned, that would be much lower because it’s specialty area.
Scott Lorenz: That was very interesting, coming up with the search terms for that, and what actually produced the results versus, you know, what produced some other non-important result. But it’s a project. It’s a project and it takes somebody who can really think about it and you know go through all the possibilities and then work with the client and come up with the terms that make the most sense.
Jess Todtfeld: Right, right. Wow. Okay, that’s some good stuff.
Scott Lorenz: Now, let’s go back to that for a second because that’s an important element. Through Google ads you’ll see the search terms that drive traffic to your site and that actually produce business because you can track the conversions for people that search a term and then click on your ad then fill out a form on your web site. This is called “conversion” So you can actually see the words that are most important, but those words you need to integrate into your articles prominently and also work them into the headline for press releases etc.
That’s part of the research of the whole thing. So, it’s great to have an integrated campaign like this for PR and the pay per-click and all this stuff is working together.
Jess Todtfeld: And somebody that doesn’t really know what they’re doing with these Google ads could –
Scott Lorenz: Easily get killed by paying too much, bidding on the wrong words and not thinking like a customer thinks.
Jess Todtfeld: They could lose their behind, so to speak.
Scott Lorenz: You could get a large charge on your Visa bill, unless of course you limit your daily budget and place other parameters on the account. If you don’t watch Facebook ads you can get killed too. Frankly you can get killed on all this stuff if you’re not careful, okay.
Jess Todtfeld: How do you protect yourself?
Scott Lorenz: You set limits on the daily spend. You set limits on the clicks, the total daily spends, your monthly budget, and so forth. But hey, Google is out there trying to make as much money as possible.
Jess Todtfeld: Exactly. They want to make lots of money.
Scott Lorenz: They keep coming up with new ways to maximize you spend with them.
Jess Todtfeld: I want to ask you also about a Google-owned company but another way that PR professionals who really know how to tap into the new media, the 21st century using YouTube.
Scott Lorenz: Right.
Jess Todtfeld: Have you used YouTube ever to promote and help clients?
Scott Lorenz: Yes. There’s actually we’ve used a couple different methods. One client was a – used an item called TeacherTube. It’s just for schoolteachers and students.
Jess Todtfeld: Awesome. The other video sites – meaning they’re not the only game in town.
Scott Lorenz: Right. We – promoted my clients video using press releases which talked about how teachers could use music to help kids learn math, science, history, and so forth. The video was all set to hip hop rap music. And the actual singer is a schoolteacher. We marketed we used press releases and our phone calls and pitching to the media, and got placements and drove traffic to that site. That particular video became the most-watched video ever on TeacherTube with over 1.5 million views.
Jess Todtfeld: Really!
Scott Lorenz: Yes, and so – but just putting it up there alone it would’ve taken a lot longer to get to that kind of prominence. We pushed it along with the media exposure, and once it – then that’s actually taken off virally, which means people send it on to their friends, their neighbors, their, you know, mother, brother, sister, their schoolteacher, their superintendent, and, you know, next thing you know 50 teachers are watching it and then 500 teachers are watching it. So, you see what I’m saying? So that’s what PR helps start the whole viral campaign for that. Now, on another case for a client who is in the recruiting business, he created some terrific videos directly targeting Merrill Lynch brokers who were in the process of being absorbed by Bank of America.
And so, he targeted this very creative, very, very creative video, set to music, but it was very poignant, and it basically said to the Merrill Lynch brokers, “Hey, before you sign up for Bank of America here and be part of their, you know, machine, think about leaving, you know, leaving Merrill Lynch and going to another firm.” So, we put that out and sent it to our contacts – you know, the financial media contacts and so forth – and pitched it and, you know, it was picked up by the Wall Street Journal, CNBC and it pretty much went all over the country. That video’s gotten some thousands and thousands of views. And then that also took off virally because when one Merrill Lynch broker sees it, he’ll shoot if off to his buddy, because he’s at Merrill Lynch.
He’s deciding what he’s gonna do with his career, or she, and so that took off virally. But you gotta get the ball rolling, though, and PR is the way to do that, okay.
Jess Todtfeld: But it all sounds like you like set up a backdoor way into getting into the Wall Street Journal and CNBC. Instead of just knocking on their door and they say, “Yes,” you and the last 50,000 people that knocked on their door.
Scott Lorenz: They knock on the door with the same old dried up stupid poorly crafted press release, okay, and you know – this is creative stuff. Now, it’s my clients and I working together, okay? I didn’t create the video for the Mr. Duey or for the R.J. McKay. They created it, but then I leveraged it, okay, and that’s –
Jess Todtfeld: Right. That’s not bad! I just went to TeacherTube – Mr. Duey popped up as still one of the top videos on there.
Scott Lorenz: Another very successful application for YouTube videos is through video book trailers as part of a book marketing campaign. In an effort to obtain book publicity for my author clients we’ll create a book trailer about the book. A book trailer is like a movie trailer in that it allows someone to preview a book both visually and via audio. A video book trailer brings the book to life and gives the potential reader a sneak peek at the contents. We’ll then post that book trailer on YouTube and… here’s the best part… we add it to more than 41 additional video sites online for even greater exposure.
One of the big benefits of a book trailer is how it improves search engine ranking for an author’s main web site, providing you carefully select traffic driving key words and titles. Check out examples of book trailers we’ve created at Westwind Communications YouTube Channel at: https://www.youtube.com/user/thebookpublicist.
Jess Todtfeld: Are other PR people – not that I’m trying to knock any other people in your profession – but are they spinning their wheels in just the old ways of doing things and saying, “You know, I’m calling CNN every day. Don’t worry, I’m trying!” instead of trying some of these new methods? It’s almost like there’s other media out there that they’re just ignoring.
Scott Lorenz: That’s true. No question about it, no question about it. You’ve really got to keep on top of what’s going on, and technology is moving so rapidly that everything is changing. The methods that work today won’t work tomorrow. A technique mentioned in a book is 6-18 months old and may not work. You need to be on top of that dynamic and that’s what we attempt to do, and it’s a challenge. Google keeps changing how they rank their searches, and you need to react accordingly. I’m a student of this stuff and it’s a project keeping up with it. Thankfully I’ve got some 20-year-old kids who are really sharp and who keep me on top of what’s happening.
Look how the Obama campaign utilized all these online methods to stay in touch with their constituency: Texting, YouTube, Twitter, Pay Pal and all these things that were not in the mix during the previous campaigns.
Texting – what politician’s ever used text on a national level – nobody. Obama was the first one to text. And imagine you’re sitting there in line or you’re at the grocery store and you get a text from Obama saying, “Hey,” you know, blah, blah, blah. How cool is that?
Jess Todtfeld: It’s very cool, and it was – they seemed to use every new type of media opportunity to reach out and get the voters.
Scott Lorenz: They did. It was terrific. That was their secret sauce and it’s also one of the reasons they connected with the younger voter. Older voters went to McCain, younger voters went to Obama because he talked to them, okay. Now, can somebody does that again next time around? You bet. Will the Republicans have their act together next time? I would think so, but I don’t know; at least electronically, they might.
Jess Todtfeld: I think they just realized it’s a whole other arm for their campaign, right?
Scott Lorenz: They got killed; they got killed. The Republicans got killed on the online stuff totally, and Obama’s people employed the new technology to near perfection. So, I can’t wait for the book that describes the Obama campaign and what they did to come out, because I’m going to be the first guy to buy it. And in the meantime, there’ll be some magazine articles – I’ve already read a fair amount of stuff about it, and I’ve seen them on CSPAN, some of their talking – guys that have been talking about what they’re doing. But they’re going divulge some secret sauce, and that’ll be great – I want to see that. And that’s what you gotta do. You gotta stay on top of what’s happening. They are the ones that executed on this beautifully. They put it together.
It was the best marketing campaign of any kind probably in U.S. history, not just politics – anything.
Jess Todtfeld: Right. And you’re trying to employ some of those methods? The book is being written as we speak and we’re gonna find out all the ins and outs. And before we go I want to ask you one last thing, which I think Obama was definitely using, was Twitter, and a lot of the folks who are listening right now keep hearing about Twitter. It’s confusing. Some people don’t know what it is. Should they even be a part of it? One, do you know what the heck it is, and have you, you know, been doing anything –
Scott Lorenz: We’ve used it. In short, it’s a way to stay in touch with your constituency with short messages, 140 characters. It has a role, okay, where exactly it’s gonna be in the marketing side of things is still yet to be determined. I don’t wanna be twittered by like Coca Cola saying, “Hey, buy a Coke.” I don’t mind staying in touch with my friends, but I don’t want to hear about everything that they’re doing either, okay. So, I’m looking for a happy medium in that department. Certain people I think it might be cool to get a Twitter from – you know, Obama, or from some of those folks like that, or maybe some, celebrities might be Twittering people and get some bang out of that.
Jess Todtfeld: Right.
Scott Lorenz: And certain family members – I’d certainly like to stay in touch with certain family members and what they’re doing and what have you.
Jess Todtfeld: But it’s on your radar, it’s developing. It’s a location that’s developing; it could turn into something; it could be part of another service. I think Facebook has a feature just like that, so who knows, Twitter might go away.
Scott Lorenz: It’ll be interesting to see what happens. It’s one of these things like, “Okay.” It’s like when cameras were put on phones. When it first came out, we said “What were we going to do with that?” But now, it’s like, gee, my wives in a dress shop buying dresses for my daughter. She takes a picture of it; she sends it to her over the phone. My daughter says, “Oh, I love it!” or “Ay, keep shopping!” or whatever. So, there’s ways that you can use these technologies that you hadn’t thought about. Go back to this – way back – the steam engine. When the first steam engine came out, they said, “This’ll be a great thing to pump water out of mines with.” Then some genius said let’s put it on wheels and created the locomotive and that changed the world.
It wasn’t until they applied it in different ways that it really blossomed and that’s where we’re at with a lot of this technology. Where is it going to? Who knows?
Jess Todtfeld: Right. Wow, that’s pretty good. But it’s way on your radar. I know of on there, but I don’t really spend a whole lot of time on there, but just so that as it really hits and becomes the next big place, and some people say it already is, at least I’m already there, and at least I already have an idea of how it works and how it functions.
Scott Lorenz: Right. And it’s important to do that because things develop, and you see opportunities. For example, I’ll give you everybody has heard of TiVo, of course. Now, there’s the cable companies, ATT and everybody and their brother has DVRs so you can record any show and so forth. But when that first came out that was kind of astonishing, frankly, and it was pretty cool that you could record anything any time anywhere and forget about the VCR. But one of the neatest things, though, from a mining standpoint is now, you can order Domino’s Pizza on TiVo right from your screen.
Jess Todtfeld: Yeah?
Scott Lorenz: Yes. And now, and this came about because Dave Brandon, former CEO of Domino’s, said he wasn’t sure what the thing was all about because he’s noticed that people – he got less reaction from commercials because people were TiVoing past them, okay. And so, he just dove into it and figured out, “Hey, this is a marketing opportunity.” Now, people can buy pizza online from – not online, but through their TiVo with Domino’s because he just stayed on it and tried to figure out how to make this thing work, he and his people, okay. And that’s how you gotta be with all this new technology – how can you use it for yourself?
Jess Todtfeld: I love that he said it’s a marketing opportunity, and I love that that’s been your approach with everything that you do where you say, “Boy, it’s not just PR, it’s a marketing opportunity, it’s an opportunity for sales.” That’s really what this is all about and you need to employ all the new methods to be able to really do the right job.
Jess Todtfeld: So, Scott, great, great information, and I encourage people to find out about you. What’s your website, by the way?
Scott Lorenz: My website is WestWindCOS.com. WestWindCOS.com.
Jess Todtfeld: Very nice.
Scott Lorenz: And I’d love to talk to people about it some more. I mean I could talk about this stuff all day, but you’ve probably gotta wrap it up.
About Jess Todtfeld
President of Success In Media, is one of the leading speaking and media training authorities in the U.S. With more than 15 years of experience, Todtfeld helps CEOs, business executives, spokespeople, public relations representatives, experts, and authors to not just become better speakers, but become expert speakers. Todtfeld has trained clients from the United Nations, IBM, AIG Insurance, AARP, USA Today, The World Children’s Wellness Foundation, Land Rover, Edelman Public Relations, The American College of Emergency Room Physicians, The Fine Living Television Network, North Face apparel, and the ASPCA.
Todtfeld was a Television Producer on the National Level for networks including NBC, ABC, and FOX. During that time, he booked and produced over 4,000 segments. 10 of those years were spent at Cable TV’s #1 news channel, FOX NEWS CHANNEL. Todtfeld spent 2 years with cable’s #1 prime time show, “The O’Reilly Factor”with Bill O’Reilly, and 7 years with cable’s #1 morning show “FOX & Friends.” For more information visit www.SuccessInMedia.com or call (800) 369-3421
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
Authors of cookbooks have an advantage over traditional authors because they can employ a TV appearance to increase book sales. One of the best ways for cookbook authors to get this extra exposure is to demonstrate their capabilities by showcasing recipes and talent on an in-studio cooking segment on television.
A lot of things can go wrong on a live in-studio cooking demo. Here are some tips to ensure that your cooking segment is great.
Most importantly find out how much time you have to work with. There’s a big difference between a 2 ½ minute segment and 3 ½ minutes. My advice is to plan on a 2 ½ minute segment. Ask yourself what you can do in that time period and plan accordingly. Anticipate and have strategies to deal with interruptions. Practice by setting up a camera in your kitchen so you can film and time your process.
Don’t do a lot of talking during the segment. You are there to demonstrate how to prepare a certain dish and that’s what your audience and host expects of you. So, keep the words down.
Remember that there are three groups that you need to satisfy – the producer, the audience, and yourself. The producers are looking for interesting/compelling television; your job is to make them look great. The audience wants to learn something. What’s their takeaway? What will you do to make their lives better? Among your goals is to point people to your website. A great way is to offer a free item like a recipe or appetizer in your restaurant. Once they sign up for the free item, use their email address for future marketing.
It’s very important to find out in advance about the capabilities of the studio kitchen. Some studio kitchens look good on TV, but the stove may not even be hooked up! Come with a prepared cooked version of your dish that can be displayed ahead of time and have another ready for the demonstration. It’s always a good idea to bring some extra samples for the crew. I’ve never see them turn down food! Outdoor segments, such as barbequing, really go well in the summer because that’s what audience members do in the summer. For the fall, a Tailgate segment is great.
Here are some practical tips for that great cooking segment:
The camera loves food that sizzles, bubbles, and flames. Keep that in mind when selecting the dish, you will prepare. Can your dish be prepared and plated in the allotted time? Pre-cook the dish halfway if necessary to meet the time limit.
If there are promotional screen graphics provide the producer with the information several days before the shoot.
Make a packing list of all the gear you need to cook off premise. Double-check your list and pack efficiently. Arrive at the studio 45 minutes before airtime. Bring a cart to transport your gear and ingredients from the car to the studio quickly and efficiently.
Digital TV cameras can be unforgiving so bring some make-up to apply in the studio.
The camera loves color so bring some colorful ingredients as well as a seasonal table decoration.
Upon first arriving at the cooking set, check all burners to make sure they work.
Be set up 15 minutes before airtime. Walk in front of the cooking table and scan what the camera will record. Is the tablecloth on straight? Are all ingredient labels faced outward? Are the ingredients balanced in uniform fashion?
Provide the host with a list of suggested questions. This will help the host stay focused and on track and will help prevent any ringers from being thrown your way.
Always refer to the host by name. Make direct eye contact and smile.
Go with the flow. Some hosts will ask distracting, non-relevant questions so have a plan to deal with that possibility.
For many of my clients, I suggest they use a professional media trainer to better prepare them for the television or radio appearance. One trainer I frequently recommend is Jess Todtfeld, former FOX News producer and President of Success in Media (www.SuccessInMedia.com) Among the suggestions Todtfeld gives to help deliver a great cooking segment are:
Don’t expect the studio to have a stylist for you. You must take the necessary steps beforehand, so you look as beautiful as you are and so your segment is great from beginning to end.
Bring all the ingredients, tools for preparing, and a finished version of your dish. Don’t expect to really cook it during the segment.
Bring extra finished food for the crew. The quickest way to their hearts is through their stomachs. It will be worth every penny in materials when they decide to book you again.
Have your entire segment planned out from A to Z to make the producer’s life easy. That, in turn, will make him love you and book you again.
It’s not all about the food. Be fun. Show your personality.
Give a copy of the recipe and let them know they can place it on the station’s website.
Days before the segment ask if they can prepare a “for more information” graphic for the lower third of the screen that will display your website address so people can find you after the show. It’s a pretty standard practice but if you don’t ask, they might forget.
Have something free on your website to plug, such as five of your most requested low-cal recipes or a chapter of your book. Be able to monetize the value of your free gift.
Make sure all the vegetables and cuts of meat are fresh and will appear appetizing. Place them in clear glass dishes along with pre-measured spices. There’s only so much you can prep ahead of time; some things need to be done in the studio.
With HD cameras viewers can see everything from water spots on your glass ware to fingernails in need of a manicure and a five o’clock shadow. What may be acceptable in your kitchen may not play well on TV so be keenly aware of your appearance.
A great cooking segment will produce hundreds if not thousands of new diners, book sales and recipe downloads. It’s all possible with planning, preparation and effort. Your success will be assured if you engage the services of a professional media trainer and marketing professional and practice your demo again and again.
Just for fun, if you’d like to see how a lack of preparation can lead to disaster then you’ll want to see these videos I’ve uncovered. The first disaster occurs because the chef did not anticipate that the two co-hosts, Kathie Lee and Hoda, would do a lot of distractive talking while he was trying to prepare food and he had no strategy to deal with the distraction. Take a look at:
In the second video things go totally awry because Paula Dean does not take charge and gives a free hand to Al Roker and creates a massive time crunch for herself. Get ready to laugh at:
One great example of a cooking segment was when Randy Lorenz, my own brother was asked to appear on FOX-TV. Their Michigan wedding venue, The Meeting House Grand Ballroom had won The Knot’s wedding reception banquet facility of the year award. They have one of the most beautiful non-denominational ceremony locations in Michigan for a wedding reception. As you’ll see by this clip-on YouTube, they did a terrific job of demonstrating their cooking expertise… after following my advice of course!
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
Book marketing experts know that authors who get excited about landing an interview may lose sight of the goal, which is not to gain media interviews but to sell books. And it’s sad but true that an interview does not automatically generate sales. Effective interviews generate sales; ineffective interviews merely produce idle talk.
Book Marketing Tips from TV Producer
The author who can generate sales from a television or radio interview is the author who knows how to relate to the specific audience listening to that show. A book is sold when a listener is motivated to take action now.
While many authors are skilled in interviewing other people, they are not skilled in being interviewed themselves. The skills needed to generate sales from interviews are best obtained through media coaching or media training.
Media coaching will give authors the skills to learn how to use the media, not just to convey your message but to compel people to buy your book. As a book publicist I can pitch an author’s story and line up a TV or Radio interview, but most authors won’t be able to amaze listeners and compel them to buy without being trained by a media coach.
A media coach will show authors how to leverage interviews to create book sales, how to feel more comfortable on air and how to relieve the stress and anxiety that can come with interviews. A good media coach also will teach the secrets behind creating effective sound bites conveying the benefits they would get by buying the book.
Specifically, a media coach will reveal tips and let you practice these tried-and-true techniques, including:
How to control the interview
How to insure your message will be effective
How to employ bridging techniques to get back on track
How to deal with pitfalls that come up during an interview
How to answer the tough questions
How to look your best on camera
How to sound your best on radio
How to pitch your message to the host and listener
How to pitch without sounding like you are
How to compel the media to discuss your book
How producers and media people think and how to use that knowledge to your advantage
How to relate to a specific audience
How to leverage an interview into book sales
How to get free publicity on TV and Radio
How to get the media to hate you (by not returning their phone calls)
And, how to get invited back
Media coach Jess Todtfeld, who is a former producer for Bill O’Reilly of FOX-TV’s The O’Reilly Factor, says that every interview is an opportunity. It’s an opportunity to connect with an audience, to get your point of view to the masses. Most people don’t realize that it must go beyond that. You must motivate the audience to take an interest in you and “do something.” Whether it’s buying your book, going to your web site, or just finding out about you, you must compel them to take that next step. Todtfeld has seen many people use to media to get what they want, but many authors and amateurs make some of the common mistakes. He should know, he’s booked more that 4,000 TV segments with politicians, celebrities and actors on two networks. https://www.successinmedia.com/
Radio Interviews provide a tremendous opportunity for authors or anyone with a story to tell. Radio interviews are great because they can be done anytime out of your home, office or automobile (if you aren’t driving). But like any successful marketing venture, radio interviews don’t just happen. Here are some very useful suggestions:
Be on time. Call the station exactly at the time they tell you and be at your phone waiting if the station is going to call you.
Be self-assured. Remember you know your topic inside and out. Be confident in your ability.
Smile, smile, smile, whether on radio or TV – SMILE. You’ll feel better, and for TV you’ll look better too.
Research the show and tailor your message accordingly. Just Google the host’s name and station. Is it a national audience or a small town in Ohio? You need to know.
Practice your sound bites. Communicate your main points succinctly.
Be prepared for negative comments, from the host or listeners.
Be informative and entertaining without directly pushing your book. Make the audience “want more.”
A kind word about the host can go a long way. It’s good manners and good business.
A person’s name is sweet music to them so commit to memory the name of the host and use it throughout the interview. When taking calls, use the names of callers too.
An interview is an acquired skill. It is a process with a strategy working toward a fixed finish line. Bring your message to the audience in a way that is real for them. Do this by using stories and anecdotes that allow your audience to see themselves in your interview message. Interact with your audience on a one-to-one basis. Think of a radio or podcast interview as an intimate conversation with a friend and not a conversation with thousands. If you stay with the process, the influence and effect of your message will match the intent you had going in. It’s important to go into the interview with a positive attitude and energetic manner. You must be entertaining, informative and persuasive, or you will be talking to an empty microphone.”
Media coach and speech trainer TJ Walker says that because talking to the media is like no other conversation you will ever have, it requires your full concentration and all the skills you can muster. Because of that demand, Walker puts his students through a live interview that he videotapes for instructional purposes. “The camera doesn’t lie,” stresses Walker. “You will learn how to look your best on TV — if not on the first take, then by the 20th take. There is no way to ‘fake it’ in my one-on-one training course. You will be in the hot seat, the lights will be shining in your eyes, and the microphone will be stuck in your face. Although not always relaxing, the videotaping will turn students into a media pro, ready for any type of media situation.”
Among the types of opportunities an author should be trained to face, says Walker, are live television and radio, ambush interviews, TV and radio talk shows, celebrity appearances, in-studio interviews, newspaper interviews, editorial board meetings, radio talk shows, Internet interviews, edited news programs, training videos, phone interviews, infomercials, press conferences, spokesperson training, and book tours.
Walker’s views are based on three decades of training CEOs, Prime Ministers and Nobel Peace Prize winners in addition to training managers and staff in client companies such as Microsoft, Bank of America, Unilever, and McDonalds. TJ is the most widely published and produced media trainer in the globe, with more than 50 books, training videos, CDs, and software programs to his credit. I consider TJ Walker’s book, Presentation Training A-Z, to be must-read.
To successfully market a book, determine who will read it and then target that media directly. By way of example, one of my clients has published a book of poetry. Now the average person won’t buy a collection of poetry. However, certain people love poetry, so we aim our book marketing efforts for this client to poetry magazines, poetry web sites and poetry societies.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
