Most authors hope that one day their book will be adapted into a movie or a series on Netflix or HBO. I’ve never met an author who could not envision their book on the big screen. As a book publicist, I’ve worked with authors whose book was optioned by Hollywood after we obtained a higher profile with publicity or when they won an award. The question is how does an author go about intentionally getting that movie deal?
Interview with two screenplay writers, Oliver Tuthill and Tara Walker
There are numerous paths authors can take to get their book adapted into a movie. I recently spoke with two screenplay writers, Oliver Tuthill and Tara Walker, and they offered terrific advice for authors interested in pursuing this path.
Scott Lorenz: Can you give me examples of books that were adapted into screenplays and made it onto the movie screen?
Oliver Tuthill and Tara Walker: Robert Bloch wrote a novel in 1960 called Psycho and Alfred Hitchcock had it adapted into a screenplay. It became the most famous movie of Hitchcock’s career. Louisa May Alcott’s novel, Little Women, has been made into feature films on three different occasions. Most recently, in 2019, Greta Gerwig adapted it into a screenplay, and the popular film created a resurgence of interest in the story.
Another well-known adaptation of a novel was Dan Brown’s DaVinci Code written for the screen by Akiva Goldsman which did 760 million at the box office worldwide. George R.R. Martin’s novels, Game ofThrones, became one of the biggest television series hits ever, when adapted for television. One of the most popular novelists alive is Stephen King, and screenplay writer Frank Darabont adapted King’s novella into the Shawshank Redemption, which was a monumental success. These are just some of the examples of writers who have been very successful, and this is a difficult endeavor.
Scott Lorenz: What kind of strategy can a book author use to have a book adapted into a screenplay?
Oliver Tuthill and Tara Walker: There is a method that every writer can follow that can allow for the opportunity for your book to be turned into a screenplay, then a film.
First, you do need to have a finished book, and assuming you do, your next step would be to find a professional screenplay writer with whom you could work to adapt your novel into script form. Professional screenplay writers are highly skilled professionals, who have spent many years, if not decades, honing their craft. Once you find a screenplay writer to work with you, the author must realize that a screenplay is going to be approximately 90 to 100 minutes in length, so it is impossible to cover every dramatic event in your book. The screenplay writer will work with you to include the highlights of your book to make it accessible as a cinematic experience, to be viewed within an hour and a half to two hours.
Scott Lorenz: Let’s just say that you have hired a screenplay writer to adapt your book into a screenplay. Now what?
Oliver Tuthill and Tara Walker: If you’re lucky, you might have hired a screenplay writer who also works within the industry as a film producer. In this case, the producer can represent your screenplay and try to find a production company who would be interested in producing it. Most successful screenplay writers are represented by a literary agent in Hollywood, with whom they can submit the screenplay. Then, their agent will submit the screenplays to production companies who are constantly looking for new screenplays to produce into feature films.
Most producers looking for new screenplays are much more likely to produce scripts that have been adapted from a book. Another option furthering your screenplay toward being produced, would be to enter it into film festival competitions. A producer could see it in this venue and might like it enough to option the screenplay from the author. An example of this was when writer Evan Daugherty submitted his script, Snow White & the Huntsman, to the Script Pipeline script competition. His script won the competition, and as a result, he sold Snow White & the Huntsman to Universal for $3.25 million.
It was one of the biggest studio spec sales of all time, and its success turned Evan into one of the most sought-after writers in Hollywood. The film was also very successful and has grossed $450 million worldwide.
Scott Lorenz: Can my book authors expect to get paid over 3 million dollars when selling their screenplays to movie studios?
Oliver Tuthill and Tara Walker: It is possible, but you would need a very good sales agent to help you close the deal. Also, a bidding war between film companies would be an ideal situation for the writer to make more money. As an example, Joe Eszterhas, who wrote Basic Instinct, sold his spec script for 3 million to Carolco Pictures. A spec script is a screenplay that an author writes without receiving payment upfront. Bill Marsilii and Terry Rossio were paid 5 million for their script, Deja Vu, which was also a spec script.
Scott Lorenz: This sounds exciting! How can people get in touch with you if they want help adapting their books into screenplays?
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!
As a book publicist, I am asked on a regular basis, “Can you get my book turned into a movie?” With all the streaming outlets like NETFLIX, AMAZON and others who desperately need new content, the demand for creative work has never been higher. Now there are services who can place your book or screenplay in front of Hollywood producers who can, in fact, turn it into a movie. If you want to turn your book into a movie then check out these ‘matchmakers’ I’ve discovered below.
If you have a short film, book, screenplay, or true story, you can pitch it to Greenlight My Movie. Once you do, you’ll receive a guaranteed response from Hollywood buyers and representatives. To get started, create a profile, add your synopsis, find companies that may be interested, and submit your project. Warner Brothers states that Greenlight My Movie has a great process and has provided them with some great ideas.
Pros of Greenlight My Movie
Optional Video: If you don’t have video, no worries. It’s optional so you can simply submit your synopsis and logline.
Guaranteed Response: A Hollywood buyer or rep will get back to you via a written email response. Their response will likely come with detailed feedback that will steer you in the right direction.
Cons of Greenlight My Movie
Submission Charge: You’ll have to pay $29.95 to submit your pitch.
Will Have to Wait for a Response: While most people receive a response in about 3 to 4 weeks, you may have to wait longer to hear back.
Attend the 23rd annual Hollywood Pitch Festival and pitch A-list buyers and representatives. This year, the event will be held August 1st through 2nd in the Los Angeles area. It’s the only pitch festival that offers one-on-one pitch meetings in two days with over 200 of Hollywood’s top personnel under one roof. One-on-one pitch coaching via Skype is also available two weeks before the festival.
Pros of Hollywood Pitch Festival
No Limits: While you’re at the festival, you can pitch as many companies as you’d like because there are no limits.
Pitching Resources: Hollywood Pitch Festival wants you to succeed so they will send you pitching tips and how-to videos right before the event.
Cons of Hollywood Pitch Festival
Travel Involved: Since this is a physical event, you’ll have to travel to participate. This can be an issue if you’re limited on time and money. Fortunately, you can buy a virtual pass and submit your pitch online if you prefer.
Limited Attendance: The Hollywood Pitch Festival limits attendance to 200 people. So, if you don’t sign up early enough, you may not make the cut.
Since its debut in 2018, TaleFlick has provided a searchable library of fiction, novels, and short stories. It strives to connect authors with film or TV producers. You can create your own page and match with vetted scriptwriters who can offer tips on how to improve your story. TaleFlick can also help you get discovered by producers looking for new material.
“TaleFlick is an effective, efficient way for your work to be presented directly to those people who may want to make a film out of it. I don’t know why it didn’t exist before but I’m glad it does now,” says Michael Bowker, author of Gods of Our Time.
Pros of TaleFlick
Great Exposure: With TaleFlick, you can submit your story online and get in front of the top studios, producers, and production companies.
Commitment to Giving Back: TaleFlick has a “1 million Books 1 million Children” initiative where they give one million books to one million children all around the world.
Cons of TaleFlick
Must Pay to Submit Stories: TaleFlick is not free for authors as you’ll have to pay $88 to submit your story.
Not All Stories Accepted: TaleFlick accepts scripts, screenplays, fiction and nonfiction books, manuscripts and children’s stories. The site doesn’t currently support short stories, comic books, and plays.
InkTip began in 2000 to make it easy for producers, directors, agents, managers, and name actors to access quality screenplays and professional authors. Believe it or not, more than 375 feature films have been made from scripts and writers discovered through InkTip. One example of an InkTip success story is Fireball, which was produced by Harvey Kahn with Front Street Pictures and aired on the Sci-Fi channel.
Pros of InkTip
Variety of Services: InkTip offers three main services to get your scripts noticed. These include its script listings and script renewals service, InkTip Magazine service, and Preferred Newsletter service.
Thousands of Industry Professionals: Over 2,700 producers, agents, managers and other industry professionals use InkTip.
Privacy of Scripts: You can’t look at the scripts of other writers as they are reserved for qualified industry professionals.
Cons of InkTip
Fees Involved: While you can register an account with InkTip for free, you have to pay for its specific services. Fees range from $30 to $60.
Spec Scout’s goal is to be the best place to discover and promote the highest-quality screenplays, on and off the market. It hopes to give aspiring writers a way to break into the business. “Spec Scout is my secret weapon. Having the whole spec market in one place, with scores, loglines, and coverage is such a huge advantage. I can’t imagine not having access to this library,” says Stephanie Marin, producer at El Camino Entertainment.
Pros of Spec Scout
In-Depth Feedback: Once you submit your script, three readers will provide ratings and a comprehensive analysis of your script. You’ll get 8 to 10 pages of detailed comments that outline its strengths and weaknesses.
Script Score: Your “Script Score” will indicate the quality of your script. If you score 75 or above on the 100-point scale, you’ll be listed as a “Scouted” writer for free, forever.
Cons of Spec Scout
Pricey: To submit your script, you’ll have to pay $297. Rush service is available for an extra $100.
Feedback Takes Time: It’ll take about one month to receive feedback on your script. If you can’t wait that long, the $100 rush service can get it to you in one week.
The Bottom Line: Just like online dating doesn’t guarantee you’ll meet your special someone, there are no guarantees that these services will turn your work into a movie. Just look at them as another opportunity to gain exposure for your book.
Book publicist Scott Lorenz is President of Westwind Communications, a public relations and marketing firm that has a special knack for working with authors to help them get all the publicity they deserve and more. Lorenz works with bestselling authors and self-published authors promoting all types of books, whether it’s their first book or their 15th book. He’s handled publicity for books by CEOs, CIA Officers, Navy SEALS, Homemakers, Fitness Gurus, Doctors, Lawyers and Adventurers. His clients have been featured by Good Morning America, FOX & Friends, CNN, ABC News, New York Times, Nightline, TIME, PBS, LA Times, USA Today, Washington Post, Woman’s World, & Howard Stern to name a few.
If so, tell us a little about your book. What is the title? Do you have a publisher? What is the publish date? How many pages is your book? What is the cost? Do you have web site? What is your specific goal I.E., to make money, raise awareness, get the attention of an agent or publisher, sell the story to a movie or TV studio or something else?
Submit the form below with this information and we’ll get back to you as soon as possible. Thank you!